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Intersections - Nguyen Dang Binh

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Terry Calen<br />

0512<br />

24 inches x 24 inches<br />

3D modeled image, archival inkjet print<br />

ARTIST STATEMENT<br />

Since first becoming aware of 3D rendering technology in the mid-<br />

1980s, I believed it was the perfect medium for expressing one’s<br />

imagination. While it is most commonly used to mimic reality,<br />

I prefer using this technology to create clean, bold, graphical images<br />

that clearly do not mimic reality but do have a photographic quality<br />

about them.<br />

My underlying inspirational sources are mostly hidden. Although<br />

it may be obvious that many of my images are inspired by nature.<br />

Those sources are only starting points for exploration and often<br />

evolve based on discoveries I make along the way. There are usually<br />

several related perspectives to explore, and each may develop<br />

separately over time. This was the case with the image presented<br />

here. It is one of several images, originally inspired by dreaming<br />

about pixels, in which I used rectangular blocks as compositional<br />

elements. Each of these images explores, from a slightly different<br />

perspective, a long-held fascination with structure.<br />

Electronic Art and Animation Catalog Art Gallery Artworks<br />

CONTACT<br />

Terry Calen<br />

Independent Artist<br />

14226 12th Avenue SW<br />

Burien, Washington 98166 USA<br />

trc@plazadelpixo.com<br />

www.plazadelpixo.com<br />

TECHNICAl STATEMENT<br />

The image was modeled using luxology’s Modo subdivision surface<br />

modeler, and rendered to 10,000 x 10,000 pixels in Electric Image<br />

Animation System. Texturing was done using procedural shaders<br />

from EI Technology Group, Konkeptoine, and Triple D Tools. Adobe<br />

Photoshop was used for compositing and touchup. It was printed<br />

on Epson Ultrasmooth Fine Art Paper using Ultrachrome inks and an<br />

Epson 7600 printer.

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