Intersections - Nguyen Dang Binh
Intersections - Nguyen Dang Binh
Intersections - Nguyen Dang Binh
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Terry Calen<br />
0512<br />
24 inches x 24 inches<br />
3D modeled image, archival inkjet print<br />
ARTIST STATEMENT<br />
Since first becoming aware of 3D rendering technology in the mid-<br />
1980s, I believed it was the perfect medium for expressing one’s<br />
imagination. While it is most commonly used to mimic reality,<br />
I prefer using this technology to create clean, bold, graphical images<br />
that clearly do not mimic reality but do have a photographic quality<br />
about them.<br />
My underlying inspirational sources are mostly hidden. Although<br />
it may be obvious that many of my images are inspired by nature.<br />
Those sources are only starting points for exploration and often<br />
evolve based on discoveries I make along the way. There are usually<br />
several related perspectives to explore, and each may develop<br />
separately over time. This was the case with the image presented<br />
here. It is one of several images, originally inspired by dreaming<br />
about pixels, in which I used rectangular blocks as compositional<br />
elements. Each of these images explores, from a slightly different<br />
perspective, a long-held fascination with structure.<br />
Electronic Art and Animation Catalog Art Gallery Artworks<br />
CONTACT<br />
Terry Calen<br />
Independent Artist<br />
14226 12th Avenue SW<br />
Burien, Washington 98166 USA<br />
trc@plazadelpixo.com<br />
www.plazadelpixo.com<br />
TECHNICAl STATEMENT<br />
The image was modeled using luxology’s Modo subdivision surface<br />
modeler, and rendered to 10,000 x 10,000 pixels in Electric Image<br />
Animation System. Texturing was done using procedural shaders<br />
from EI Technology Group, Konkeptoine, and Triple D Tools. Adobe<br />
Photoshop was used for compositing and touchup. It was printed<br />
on Epson Ultrasmooth Fine Art Paper using Ultrachrome inks and an<br />
Epson 7600 printer.