Intersections - Nguyen Dang Binh
Intersections - Nguyen Dang Binh
Intersections - Nguyen Dang Binh
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Jessica Maloney<br />
Exponential Growth<br />
38.5 inches x 38.5 inches<br />
Mixed media, printed digital images, beeswax, wood panel<br />
ARTIST STATEMENT<br />
Exponential Growth references growth that is continuous over a<br />
period of time. The map represents a layer of growth, particularly<br />
growth and expansion of the human population in and around<br />
Tucson, Arizona. This area is represented because of its rapidly<br />
expanding population and because of its rich physical beauty and<br />
spiritual history. The landscape possesses a particular mystique all<br />
its own, which is quite awe-inspiring.<br />
Maps are used to clarify and document the land, but if viewed as an<br />
abstract pattern, the organic lines of the map reference the natural<br />
growth and energy that exists in nature. Energy and growth are intrinsically<br />
tied, and as the human population grows and expands, so<br />
too does the energy in the space the humans occupy. What makes<br />
this concept so intriguing is that energy is the potential for action,<br />
and while some forms of energy can be mapped out and quantified,<br />
the potential of other forms, such as the spiritual energy of a person<br />
or place, cannot be so easily decoded.<br />
CONTACT<br />
Jessica Maloney<br />
Ashland University<br />
Art Department 401 College Ave.<br />
Ashland, Ohio 44805 USA<br />
mjessica3@hotmail.com<br />
TECHNICAl STATEMENT<br />
This mixed-media piece combines both digital and traditional forms<br />
of art. The digital art is comprised of three separate digital prints, all<br />
created in Adobe Photoshop 7.0. The images on the lower part of<br />
the piece began as scans of photographs the artist took of cotton<br />
fields in Arizona. The photographs were then pieced together and<br />
combined with scans of old wood to create the final images. The<br />
prints were done on a heavy watercolor paper. The digital print of the<br />
map that makes up the majority of Exponential Growth is a scan of<br />
a map of Arizona, which was then cropped and manipulated before<br />
the final print. The print was produced by an HP5500 large-format<br />
printer on matte photographic paper. After the prints were done,<br />
they were attached to a wood panel using an encaustic process.<br />
Beeswax both protects the prints and adds a luminous texture to the<br />
surface.<br />
Artworks Art Gallery Electronic Art and Animation Catalog