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Draft 2 PhD Introduction - ResearchSpace@Auckland

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Funding<br />

226<br />

Once the research and initial preparations were completed, Ward and Maynard sought<br />

to finalise funding. After the critical success of Vigil, they were confident that their<br />

next project would receive the support they needed to allow The Navigator to be made<br />

in July 1986, three years after Vigil had been shot. The New Zealand Film Commission<br />

had made a commitment to funding the production for over $1 million, the largest<br />

amount given to a single New Zealand film to date, and, according to Geoff Chapple:<br />

That it [the project] won such support was no accident. Ian Mune, in the role of<br />

script assessor for the commission called it ‘the best-built screenplay I have read<br />

in years’. On the strength of the script and the reputation of its director, The<br />

Navigator was also the first New Zealand film to win distribution agreements in<br />

all the major film territories – the USA, UK, Germany, France, Scandinavia and<br />

Australia – before the film was even glimpsed. And producer Maynard rang up<br />

record pre-sale deals of $1.8 million overseas, money which was to be put into<br />

the film’s budget. 743<br />

The cast designated to play the leading roles in the film – Bernard Hill, a British actor<br />

who had played a leading role in Boys from the Black Stuff, Chris Haywood, who had<br />

won a best actor award in Australia, and experienced New Zealand actors Sarah Peirse<br />

and Bill Johnson – gave the proposed film additional credibility for investors.<br />

At first things seemed to go well, but in June, well into pre-production for the film, the<br />

budget still had a shortfall of one third, which Maynard and Ward had hoped to raise<br />

from New Zealand investors. As Ward puts it (in terms curiously reminiscent of the<br />

film itself):<br />

Filmmaking is both an act of faith and a gigantic gamble – a punt taken by<br />

financiers, crew, cast and not least by the producer. For a year and a half, John<br />

had patiently raised the money, but one component of the financial package,<br />

dependent on the New Zealand portion, was always missing. He had been<br />

743 Geoff Chapple, "How It Feels When the Light Goes Out," New Zealand Times 15 June 1986: 5.

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