13.12.2012 Views

Draft 2 PhD Introduction - ResearchSpace@Auckland

Draft 2 PhD Introduction - ResearchSpace@Auckland

Draft 2 PhD Introduction - ResearchSpace@Auckland

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

64<br />

In Edge of the Earth, Ward describes himself as an imaginative child who inhabited a<br />

world that “was partly based in reality, partly the creation of my imagination”. 209 He<br />

“played in the shadows of other people’s imaginations: Scott and his Ivanhoe, Grimms’<br />

fairy stories and the Knights of the Round Table”. This points to the influence of his<br />

father, who loved literature and no doubt read these classic tales to his youngest son. 210<br />

The world of imagination occupied the boy’s mind to the extent that he was so vague<br />

and preoccupied, he did not last long as a Catholic altar boy because he would “ring the<br />

gong at the wrong time during Mass”. 211<br />

Ward recalls himself as being “Not a lonely child, but an alone child. I was the<br />

youngest, and because my sisters and brother were mostly away at boarding school, I<br />

spent a lot of time on my own”. 212 He believes that the boredom he experienced living<br />

in relative isolation encouraged him to become reflective. “I grew up on a farm and I<br />

was bored […]. You also find with people who have had illnesses or something that<br />

stops them from engaging in the world that sometimes they’re forced to be more<br />

reflective […]. That affects their view of the world later on, because they’re capable of<br />

a reflective approach”. 213<br />

Some of the childhood memories Ward describes in Edge of the Earth – such as his<br />

father tossing the bodies of dead sheep over the precipice of their farm into the forest, or<br />

a hawk diving out of the sky and plucking out the eyes of a dead lamb – inform the<br />

narrative and setting of Vigil. He has recalled the experience of helping his father “in<br />

the bloody business of docking and tailing lambs”, a scene which is repeated in Vigil<br />

when Toss helps Ethan dock lambs and ends up with her face covered in blood. 214<br />

Ward’s father, Pat, was a third-generation New Zealand farmer. He had grown up in an<br />

isolated area on a farm near Martinborough and eventually acquired his own land as a<br />

returned serviceman after World War Two. For Ward’s mother, however, Morrison’s<br />

Bush must have seemed like the end of the earth. Judy Ward had been born in<br />

Hamburg to a German Jewish family who escaped from the Nazi regime in 1933 and<br />

went to live in Israel. She met Vincent’s father, who was sixteen and a half years older<br />

209 Ward, Edge of the Earth: Stories and Images from the Antipodes 65.<br />

210 Ward, Edge of the Earth: Stories and Images from the Antipodes 66.<br />

211 Ward, Edge of the Earth: Stories and Images from the Antipodes 66.<br />

212 Ward, Edge of the Earth: Stories and Images from the Antipodes 65.<br />

213 Lynette Read, interview with Vincent Ward, 11 December 1997.<br />

214 Ward, Edge of the Earth: Stories and Images from the Antipodes 66.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!