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Draft 2 PhD Introduction - ResearchSpace@Auckland

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20<br />

while at Ilam, and his student colleagues gave insights into the experience of being a<br />

student at this art school during the 1970s.<br />

In order to reach an understanding of Ward’s working methods, and to test auteur<br />

notions, I conducted a number of interviews with his colleagues and collaborators. I<br />

attempted to interview a range of people who had worked on each of Ward’s films.<br />

These included Alun Bollinger (director of photography, A State of Siege and Vigil),<br />

Chris King (editor, A State of Siege), Leon Narbey (camera operator, In Spring One<br />

Plants Alone), Graham Tetley (scriptwriter, Vigil), Graham Morris (sound recordist,<br />

Vigil), Bridget Ikin (production assistant, Vigil), Elizabeth McRae (voice tutor, Vigil,<br />

The Navigator: a Medieval Odyssey), John Maynard (producer, Vigil, and The<br />

Navigator: A Medieval Odyssey), Jeff Simpson (director of photography, The<br />

Navigator), Frank Whitten (actor who played the part of Ethan in Vigil), Hamish<br />

McFarlane (actor who played the part of Griffin in The Navigator), Alison Carter<br />

(researcher for The Navigator and co-writer of Ward’s book, Edge of the Earth), and<br />

Louis Nowra (scriptwriter, Map of the Human Heart). I was able to conduct these<br />

interviews in Auckland, Wellington, Christchurch and Sydney with the assistance of<br />

funding from the New Zealand Film Archive. I was not able to interview anyone who<br />

had worked on What Dreams May Come, due to the difficulties of contacting them in<br />

the USA. I did, however, conduct two interviews with Ward, one during the postproduction<br />

of What Dreams May Come when I was en route to Auckland via Los<br />

Angeles, and one in New Zealand, shortly after What Dreams May Come was released.<br />

Another group of people I interviewed were members of the Tuhoe community from the<br />

Matahi Valley in the Ureweras, who had known Ward when he was living in the area<br />

and working on In Spring One Plants Alone: Kero and Maui Te Pou, Bay Takao, Helen<br />

and Toka Tewara (local schoolteachers), and Eric Caton (former minister of Waimana<br />

Presbyterian church). How these interviews came about was that when I talked with<br />

Barry Barclay about the somewhat negative reception of In Spring One Plants Alone, by<br />

Maori critics, he recalled that amongst the community where the film was made, it had<br />

been warmly received. His suggestion was that with his assistance (involving<br />

introductions to the local people), I should go to the Matahi Valley myself and find out<br />

what Tuhoe thought about the film. I took with me one of my students from UNITEC,<br />

Jillian White and her partner Eruera Morgan, who speaks fluent Maori. This trip proved

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