You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
I suppose it's redundant to reiterate how ingenious it was for director Peele to select the<br />
vehicle of a horror/thriller to transport racially existential themes. In hindsight, it's an<br />
obvious, intuitive genre to use. But it turns out that Peele had the foresight to pinpoint the<br />
horrors of white supremacy and elaborate on them in a stylized cinematic way.<br />
Genre gimmicks abound in “Get Out” - zombified characters, caricatured archetypes,<br />
suspenseful plot points, carefully calculated missteps, violent crescendo, trick ending.<br />
There is a Hitchcockian sense of suspense and tension throughout the movie, but also<br />
nods and allusions to B movies, slasher films, 80s teen horror flicks – and yet the movie<br />
never seems cheap or derivative. Rather, it’s an elevated and cerebral psychological<br />
horror on par with Poe. It takes the thriller genre to a new zenith by infusing a plausible<br />
plot and refusing to showcase gratuitous gore. Rather, aggressive actions arise<br />
organically and are legitimized by context. All elements germane to the genre work in<br />
service to propel the plot of “Get Out” in an imaginative, if terrifying way.<br />
For what we are dealing with in "Get Out" is an evocation of modern-day slavery via<br />
hypnosis and a vicious eugenics. Peele is urging us to see how all we are all subtly but<br />
forcefully mesmerized by white supremacy and its myriad connotations and<br />
reverberations. He is laying bare all of our preposterous "post-racial" claims and turning<br />
them inside out to reveal a seedy, sleazy underside.<br />
I have long wrangled with the dilemma of how American society can disentangle itself<br />
from the dastardly web it's spun itself into regarding racial relations. And Jordan Peele's<br />
movie seems to reinforce my fears - that we are so deeply enmeshed in the maze of racial<br />
dysfunctions that we're better off just cutting loose from the labyrinth and starting over<br />
completely.<br />
But how do we dismantle white supremacy? By eradicating Caucasians? Obviously that's<br />
not possible or desirable. By further segregating the races? That’s already happening.<br />
We’ve been regressing for quite some time, as neighborhoods and schools self-segregate<br />
along racial lines. It would almost be justifiable if the situation did not always result in<br />
further suffering by people of color.<br />
The situation is urgent. Jordan Peele's movie is a clarion call (a cacophonous clarion call)<br />
to action. His movie suggests that we should be more aware of our own deep-seeded<br />
prejudices and the actions we and others take that might be loaded with sinister intention,<br />
even if superficially we think we are acting from an impetus of self-awareness and<br />
benevolence.<br />
For example, we might think that the justice system will ultimately "rehabilitate" the<br />
staggering number of black men caught up in it, without realizing that it's the system<br />
itself that caters to a white supremacist philosophy that deliberately thwarts black<br />
ascendancy.<br />
Lynching is no longer necessary when you have prison cages that will stifle the soul. The<br />
KKK’s fashion apparel is rendered anachronistic because the enforcers of Anglo