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I suppose it's redundant to reiterate how ingenious it was for director Peele to select the<br />

vehicle of a horror/thriller to transport racially existential themes. In hindsight, it's an<br />

obvious, intuitive genre to use. But it turns out that Peele had the foresight to pinpoint the<br />

horrors of white supremacy and elaborate on them in a stylized cinematic way.<br />

Genre gimmicks abound in “Get Out” - zombified characters, caricatured archetypes,<br />

suspenseful plot points, carefully calculated missteps, violent crescendo, trick ending.<br />

There is a Hitchcockian sense of suspense and tension throughout the movie, but also<br />

nods and allusions to B movies, slasher films, 80s teen horror flicks – and yet the movie<br />

never seems cheap or derivative. Rather, it’s an elevated and cerebral psychological<br />

horror on par with Poe. It takes the thriller genre to a new zenith by infusing a plausible<br />

plot and refusing to showcase gratuitous gore. Rather, aggressive actions arise<br />

organically and are legitimized by context. All elements germane to the genre work in<br />

service to propel the plot of “Get Out” in an imaginative, if terrifying way.<br />

For what we are dealing with in "Get Out" is an evocation of modern-day slavery via<br />

hypnosis and a vicious eugenics. Peele is urging us to see how all we are all subtly but<br />

forcefully mesmerized by white supremacy and its myriad connotations and<br />

reverberations. He is laying bare all of our preposterous "post-racial" claims and turning<br />

them inside out to reveal a seedy, sleazy underside.<br />

I have long wrangled with the dilemma of how American society can disentangle itself<br />

from the dastardly web it's spun itself into regarding racial relations. And Jordan Peele's<br />

movie seems to reinforce my fears - that we are so deeply enmeshed in the maze of racial<br />

dysfunctions that we're better off just cutting loose from the labyrinth and starting over<br />

completely.<br />

But how do we dismantle white supremacy? By eradicating Caucasians? Obviously that's<br />

not possible or desirable. By further segregating the races? That’s already happening.<br />

We’ve been regressing for quite some time, as neighborhoods and schools self-segregate<br />

along racial lines. It would almost be justifiable if the situation did not always result in<br />

further suffering by people of color.<br />

The situation is urgent. Jordan Peele's movie is a clarion call (a cacophonous clarion call)<br />

to action. His movie suggests that we should be more aware of our own deep-seeded<br />

prejudices and the actions we and others take that might be loaded with sinister intention,<br />

even if superficially we think we are acting from an impetus of self-awareness and<br />

benevolence.<br />

For example, we might think that the justice system will ultimately "rehabilitate" the<br />

staggering number of black men caught up in it, without realizing that it's the system<br />

itself that caters to a white supremacist philosophy that deliberately thwarts black<br />

ascendancy.<br />

Lynching is no longer necessary when you have prison cages that will stifle the soul. The<br />

KKK’s fashion apparel is rendered anachronistic because the enforcers of Anglo

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