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"Transatlantic puffs known as clouds<br />
Hold moisture before letting go to rinse us clean." (lines 31-32)<br />
Greenblatt's and Murphy's processes, as Murphy explains in<br />
her forward, naturally dovetailed. Both have a highly intuitive,<br />
free-flowing approach that filters out only what is most<br />
superfluous. And yet it's their styles that while markedly different<br />
on their own, somehow interlock in an organic way that is not<br />
jarring as one would expect.<br />
I'm familiar enough with both poets' work to be able to<br />
discern who likely<br />
wrote which lines or phrases. Greenblatt infuses fantastical<br />
elements into her work and smashes together aspects of nature to<br />
create a new diction. Murphy, conversely, has a more rigid logical<br />
lexicon that manages to evoke a sense of warmth and wonder. Both<br />
poets impose invigorating innovation in syntax, imagery, and<br />
vocabulary in order to deepen the dimensions of our understanding<br />
of how language shapes our world. With these ghazals, they further<br />
their linguistic mission in dizzying ways, contorting our way of<br />
seeing and being: "Skinfuls of spine spin the vertebrae/Mindward<br />
in the hope of reaching home."<br />
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