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REVIEW)<br />
By Alison Ross<br />
(BOOK<br />
I first discovered the genius of Sheila Murphy when I was<br />
perusing tomes at an excellent indie bookstore in Austin called<br />
Malvern Books. The title of her book, "Letters to an Unfinished J"<br />
leaped out at me. I read her verse on the plane back to Atlanta, and<br />
became entranced with Murphy's ability to forge a sinuous syntax.<br />
She manipulates language to further stretch its malleability, but<br />
also personalizes it, creating an introverted world whirling with<br />
intricate imagery and intense emotion, that also manages to be<br />
accessible to an audience attuned to literary innovation and yet<br />
wary of the alienating pretension that plagues certain poetry<br />
scenes.<br />
I first discovered the late and much-bereaved Michelle<br />
Greenblatt when she submitted poetry to Clock<strong>wise</strong> <strong>Cat</strong>. However,<br />
unlike with Sheila Murphy, her work did not immediately and<br />
urgently snag my attention. Her impact on me was more slowgrowing;<br />
her words simmered in the subterranean corners of my