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Bourge-wise Cat

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mind for a very long time until they exploded to the forefront of<br />

my consciousness upon reading her book, Ashes and Seeds, and I<br />

became beatifically aware that her linguistic gifts were in the<br />

lineage of Rimbaud and Borges. Her poetry jolts the imagination<br />

for its deployment of complex symbols infused with cryptic<br />

personal references.<br />

So it makes sense that these two titans of talent collaborated<br />

on a tome of verse. Their approaches diverge and converge in<br />

fascinating ways.<br />

The poems that inaugurate the collection are not ghazals -<br />

they are the "other" referred to in the title. These first few poems,<br />

in a word, are stunning, and a nice way to ease into the intensity of<br />

the ghazals. These poems are their own version of intense,<br />

however, as they create startling sensory and synaesthetic<br />

impressions and the words and images veer toward unexpected<br />

intersections, where there are collisions and clashes that become<br />

glorious idiomatic idiosyncrasies.<br />

The ability to commandeer language for their own linguistic<br />

agendas is where Murphy and Greenblatt excel.<br />

From “A Tone Endures”:<br />

"One washes young trees<br />

as though a blossom would be truer<br />

than root structures, thinking<br />

how not to admire the violent craft<br />

of spiderwebs<br />

thinking, work is a series of self<br />

interruptions and perverse<br />

tunings, yet here is another new year, earth tipsy with<br />

the pointblank light of the raw sun.”<br />

These lines almost read as aphorisms, through which we can<br />

glimpse a world harbored in the shadows, or one that has been

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