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The Inner Studio - Riverside Architectural Press

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PART THREE | INNER RESOURCES<br />

repress and project onto others. This act of repressing takes considerable<br />

energy to maintain, as does the act of sustaining a<br />

judgmental projection. Not only is this energy lost to us, it prevents<br />

us from having compassion for anyone–including ourselves.<br />

This need to assimilate our shadow aspect is easy to write<br />

about, but is difficult to achieve. It is difficult because it means<br />

accepting longstanding parts of ourselves that have been labeled<br />

unacceptable. <strong>The</strong> value of the shadow to the designer is that it<br />

often presents us with new ways to understand our problems. For<br />

example, when we draw a building two-dimensionally, there is no<br />

shadow. <strong>The</strong> building exists only as a façade. Not until we incorporate<br />

the shadow does the building become three-dimensional<br />

and gain depth. In other words, incorporating the dark shadow can<br />

often bring the quality of transformation to our work in the form<br />

of new images and ideas.<br />

<strong>The</strong> shadow is within us, but because we don’t search for it<br />

there, our only choice is to project it out onto others or into the<br />

world and build it. Because the shadow belongs to individuals, it<br />

can manifest itself in all things that are created by individuals. It is<br />

found in collective entities like business organizations, institutions,<br />

and governments. <strong>The</strong> shadow of society is a massive force, an<br />

accumulation of unconscious aspects projected onto others, onto<br />

our cities, and onto the way we treat the natural world. It is found<br />

in our institutions, in our public spaces, and in our homes. In a<br />

sense, everything created contains the unconscious imprint of its<br />

makers and carries their shadows. In an individual, this may<br />

appear as a sudden stream of judgment; in society, it manifests<br />

when those in positions of power collectively refuse to acknowledge<br />

vast depressing stretches of city because of the unconscious<br />

judgments they project onto those places and the people who live<br />

there. <strong>The</strong> contemporary trend to “heal” toxic sites, be they residential<br />

or industrial, represent positive examples of reclaiming the<br />

collective civic shadow.<br />

One example of shadow that has been assimilated into the built<br />

world over the last 30 years is interesting because it may herald a<br />

shift of awareness as profound as any of the great technological<br />

inventions of the past. Since the 1970s, for the first time, building<br />

95

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