The Inner Studio - Riverside Architectural Press
The Inner Studio - Riverside Architectural Press
The Inner Studio - Riverside Architectural Press
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PART FOUR | INNER KNOW-HOW<br />
to reveal itself. But through the experience of wrestling all night, a<br />
bond was created between Jacob and the angel and, as a result, a<br />
new name was given to Jacob. His new name was Israel–one who<br />
has wrestled all night. Learning how to wrestle means learning how<br />
to relate to the divine energies of creation. Everyone who is serious<br />
about creating something has trials and stubborn obstacles, so<br />
remember that learning through creativity is what will deepen your<br />
work and make it more meaningful to yourself and others.<br />
During design development, the designer needs to learn how to<br />
wrestle his or her idea down to earth without losing any of its<br />
creative power. <strong>The</strong> primary tool for this transformation is a continuous<br />
and evermore precise questioning that is directed toward the<br />
first images at the creative heart of the project. This process of testing<br />
the idea or inspiration is really a search for the soul of the work.<br />
In order for us to find the soul of the work, the work needs to shed<br />
its spiritual starting point and acquire physical characteristics.<br />
If wrestling seems to be too dramatic a term to describe the<br />
creative experience, then consider for a moment how often the most<br />
unexpected kinds of misfortune, mistakes, and illnesses befall<br />
designers as they bring their projects to completion. Presenters lose<br />
their voices or forget their material. Lack of sleep, psychosomatic<br />
illness, and anxiety color our ability to think and create. Students fall<br />
off their bicycles and seriously cut themselves before major deadlines.<br />
When the unconscious is ignored, it is more than willing to<br />
wrestle with our best intentions in order to make itself heard and felt.<br />
Design development ideally brings us to the full integration of<br />
drawing, physical modeling, computer-based imaging, and visualization.<br />
More and more of the design work can now be accomplished<br />
through exposing the project to testing and questioning.<br />
<strong>The</strong> question-and-answer approach is guided by an honest search<br />
for the soul of the work. <strong>The</strong> right question strengthens the work.<br />
This ensures that although the project is moving into matter, it is<br />
not losing it’s spirit. It is becoming stronger and clearer.<br />
<strong>The</strong> Child in the Adult<br />
As designers, our effectiveness is greatest when we are able to stay<br />
in the adult part of the self–the negotiation, follow-through, and<br />
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