The Inner Studio - Riverside Architectural Press
The Inner Studio - Riverside Architectural Press
The Inner Studio - Riverside Architectural Press
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found in dreams. <strong>The</strong>se stories convey only a small fraction of the<br />
importance of dreams in our lives, but the role of dreams in creativity<br />
has important implications for the built world. Perhaps every<br />
great city should have a place dedicated to the miracle of dreaming.<br />
What is clear is that after centuries in which the dream was<br />
thought to be an outdated occult fragment of the psyche consigned<br />
to uncivilized or unstable peoples, it has re-emerged as a legitimate<br />
and modern part of every human being. We are most fortunate not<br />
to have lost our capacity to dream because working with our<br />
dreams may prove to be uniquely helpful in allowing us to live<br />
more sane lives in the modern world. Freud stated that the dream<br />
was the royal road to the unconscious. Strangely, it also has the<br />
possibility of being a direct and valuable road to the renewal of<br />
the built world. Dreams are rich with architectural artifacts and<br />
settings whose meanings can help cool our reactions to the problems<br />
we live with, and give us hope in the face of those we think<br />
we cannot bear.<br />
<strong>The</strong> Structure of the Dream<br />
<strong>The</strong> whole dream-work is essentially subjective, and a dream is a theatre<br />
in which the dreamer is himself the scene, the player, the prompter, the<br />
producer, the author, the public and the critic.<br />
–C.G. JUNG<br />
THE INNER STUDIO<br />
<strong>The</strong> interpretation of a dream is a spiritual craft. We need to shift<br />
our usual way of looking so that we are more involved in learning<br />
to connect with the mystery and many moods of the dream.<br />
Dreams, no matter how simple or surreal, have a beginning,<br />
middle, and end, just like any other narrative. A dream usually<br />
begins with a very particular description of a place. <strong>The</strong> purpose of<br />
the “setting” in the dream is literally to “set the scene” for the action<br />
that follows. In dreams, we find the setting being used symbolically<br />
to express the dreamer’s psychological place in the world. It tells us<br />
where the dreamer is, but from the point of view of the unconscious.<br />
For example, I may be sitting in my old kitchen, which may<br />
point toward the need for me to assimilate something from the<br />
past, or I may be walking across a busy street, which may point to<br />
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