The Inner Studio - Riverside Architectural Press
The Inner Studio - Riverside Architectural Press
The Inner Studio - Riverside Architectural Press
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<strong>The</strong> House of Shadows<br />
Draw an image of a house that contains both the positive and negative<br />
traits that have been expressed in the self test. Use the house and its<br />
setting to spontaneously create an image or series of images that bring<br />
difficulties and talents into one symbolic house. Remember to share the<br />
final “design” with a friend, teacher, or counselor.<br />
<strong>The</strong> Built World as a Barometer of Wholeness<br />
Considering that the evil of our day puts everything that has ever<br />
agonized mankind in the deepest shade, one must ask oneself how it is<br />
that, for all our progress in the administration of justice, in medicine and<br />
in technology, for all our concern with life and health, monstrous engines<br />
of destruction have been invented which could easily exterminate the<br />
human race.<br />
–C.G. JUNG<br />
PART THREE | INNER RESOURCES<br />
Our cities cast a psychological shadow, as do our governments and<br />
institutions. <strong>The</strong>se shadow elements manifest in built form the<br />
unacceptable and unacknowledged aspects of their collective<br />
cultures. We need only look at what we overvalue to see what has<br />
been left out. A society that overvalues efficiency loses touch with<br />
beauty. A city that single-mindedly puts thinking ahead of feeling<br />
is empty and ugly because the places where people can gather are<br />
going to be less valued.<br />
<strong>The</strong> long line of commuters in traffic represent an unconscious<br />
reluctance to arrive at jobs we don’t like and to return home to relationships<br />
we don’t enjoy. Would traffic be less of a problem if we<br />
were more conscious of our personal needs and desires? Everyone<br />
who can recall their dreams has probably experienced a part of a<br />
city that is the setting for a narrative filled with anxiety, violence, or<br />
despair.<br />
I feel particularly aware of places that are plainly counterintuitive,<br />
places where water, earth, and air are toxic. <strong>The</strong>se places have<br />
a conscious and unconscious impact on us. Why are such basic<br />
ingredients of life so undervalued? <strong>The</strong>se places always leave me<br />
feeling drained and defeated about our relationship to life. <strong>The</strong>y<br />
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