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The Inner Studio - Riverside Architectural Press

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PART FIVE | USING THIS LIFE TO BE CREATIVE AND WISE<br />

would explode or walk away when he heard a comment he did not<br />

like was always there. For his final project, Carl had chosen to<br />

design a new inner-city community. His proposed site was an old<br />

industrial area, full of abandoned buildings, whose toxic soil had<br />

been ignored and abandoned by the city for years.<br />

One day, as Carl was talking about his most recent drawings<br />

and models, I found myself saying, “You know, this is such a<br />

rejected site. It has always been ignored. No one has ever really<br />

cared about this place. I wonder if it will always feel rejected.” I<br />

continued speaking in this way for a few minutes, talking about<br />

how unloved the place was and how toxic it had become. As we<br />

spoke, Carl’s face began to change, his mouth softened and his eyes<br />

became very sad. He nodded as I spoke and agreed that the site<br />

was rejected and felt very abandoned and it was strange and even<br />

difficult to propose living there, but for reasons he did not fully<br />

understand he felt deeply drawn to the difficulty of the place. He<br />

knew this was the right place for him to start creating something<br />

new. I agreed with him and our conversation shifted to a discussion<br />

about how to approach the recovery and regeneration of this<br />

wounded part of the city.<br />

During our conversation, it seemed for a moment that the line<br />

dividing Carl and his project had slipped away. Carl could have<br />

chosen any part of the city, but he had unconsciously been drawn<br />

to this part of the city because it reflected his own need to wrestle<br />

with a rejected part of himself. Perhaps he felt that if he could<br />

bring new growth and new hope to old and rejected places in the<br />

city, it might not seem so impossible to one day help himself.<br />

Over the years I have seen that designers are inevitably drawn to<br />

create projects that reveal unconscious intentions. Design travels<br />

between worlds. Creative work always supports making the unconscious<br />

conscious.<br />

<strong>The</strong> Wall<br />

Not a shot was fired when the Berlin Wall came down. Like everyone<br />

else, I was stunned to see the images of people knocking it<br />

down with sledgehammers. After nearly 50 years the wall had<br />

165

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