The Inner Studio - Riverside Architectural Press
The Inner Studio - Riverside Architectural Press
The Inner Studio - Riverside Architectural Press
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PART FIVE | USING THIS LIFE TO BE CREATIVE AND WISE<br />
would explode or walk away when he heard a comment he did not<br />
like was always there. For his final project, Carl had chosen to<br />
design a new inner-city community. His proposed site was an old<br />
industrial area, full of abandoned buildings, whose toxic soil had<br />
been ignored and abandoned by the city for years.<br />
One day, as Carl was talking about his most recent drawings<br />
and models, I found myself saying, “You know, this is such a<br />
rejected site. It has always been ignored. No one has ever really<br />
cared about this place. I wonder if it will always feel rejected.” I<br />
continued speaking in this way for a few minutes, talking about<br />
how unloved the place was and how toxic it had become. As we<br />
spoke, Carl’s face began to change, his mouth softened and his eyes<br />
became very sad. He nodded as I spoke and agreed that the site<br />
was rejected and felt very abandoned and it was strange and even<br />
difficult to propose living there, but for reasons he did not fully<br />
understand he felt deeply drawn to the difficulty of the place. He<br />
knew this was the right place for him to start creating something<br />
new. I agreed with him and our conversation shifted to a discussion<br />
about how to approach the recovery and regeneration of this<br />
wounded part of the city.<br />
During our conversation, it seemed for a moment that the line<br />
dividing Carl and his project had slipped away. Carl could have<br />
chosen any part of the city, but he had unconsciously been drawn<br />
to this part of the city because it reflected his own need to wrestle<br />
with a rejected part of himself. Perhaps he felt that if he could<br />
bring new growth and new hope to old and rejected places in the<br />
city, it might not seem so impossible to one day help himself.<br />
Over the years I have seen that designers are inevitably drawn to<br />
create projects that reveal unconscious intentions. Design travels<br />
between worlds. Creative work always supports making the unconscious<br />
conscious.<br />
<strong>The</strong> Wall<br />
Not a shot was fired when the Berlin Wall came down. Like everyone<br />
else, I was stunned to see the images of people knocking it<br />
down with sledgehammers. After nearly 50 years the wall had<br />
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