The Inner Studio - Riverside Architectural Press
The Inner Studio - Riverside Architectural Press
The Inner Studio - Riverside Architectural Press
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THE INNER STUDIO<br />
and purification. In order to connect with a more soulful level of<br />
design, we need to be aware of the power of places and things to<br />
move us, and this is most directly appreciated through experiencing<br />
the symbolic world.<br />
Belongings, Possessions<br />
<strong>The</strong>re is always something we would like to add to what we already<br />
own and things we need to get rid of. We are engaged in a busy<br />
exchange of keeping, acquiring, storing, displaying, and discarding.<br />
<strong>The</strong> word “belongings” says it best. <strong>The</strong>re are things that we<br />
develop strong attachments to and there are things we are no<br />
longer tied to. We have a sense that things not only belong to us,<br />
they have acquired a capacity to connect us to a place. <strong>The</strong>y are<br />
part of why we feel we belong. Objects help us to belong because<br />
they carry an aspect of our emotional lives; they lift the space out<br />
of the realm of utility and help us to cross over some subtle threshold<br />
that divides utility from warmth. <strong>The</strong> architect Le Corbusier’s<br />
famous statement that a house is a machine for living in, while<br />
perhaps directed at technology and issues of production, became a<br />
powerful voice in the making of the modern idea of home.<br />
We personalize objects, or as these objects age under our care,<br />
they acquire special properties. A room filled with our belongings<br />
is enhanced. We demand less in hotel rooms than we would in our<br />
own world because it is temporary. When we travel we bring what<br />
we need for the trip in a practical sense, but there are always things<br />
we bring that have nothing to do with being practical.<br />
A friend told me she didn’t like her home, but she didn’t know why.<br />
She asked me to visit her there and see if anything could be done<br />
to make the place more comfortable. She had lived in the apartment<br />
for several years and it had everything she needed to be physically<br />
comfortable: a big sofa facing a big TV, lots of pictures on the wall.<br />
We talked for a while, but the problem didn’t seem to be the<br />
arrangement of her furniture. When I asked her about her favorite<br />
things, she began to talk with great reverence and enthusiasm<br />
about a collection of antique beaded handbags she had received<br />
from her grandfather. When I asked to see them, she left the room<br />
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