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The Inner Studio - Riverside Architectural Press

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the need for me to change my perspective. <strong>The</strong> opening of the<br />

dream narrative locates the psychological orientation of the dream,<br />

and when we look at the setting of the dream, we find ourselves<br />

examining places that are either built or natural. <strong>The</strong> setting may<br />

be familiar or exotic, real or richly imagined, but it will always<br />

point to where we are in our unconscious.<br />

<strong>The</strong> way a real setting is used symbolically by the psyche to<br />

present information about the places in our lives where we are<br />

unconscious began to interest me. I wondered about the role of the<br />

setting because it is so important to the meaning of the dream and<br />

it is so important to work done by architects and designers. From<br />

basements to grand boulevards, from modern airports to mountains,<br />

there is no limit to the kind of settings found in dreams. And<br />

these are the very settings designers struggle with when they try to<br />

bring meaningful places to life through their work.<br />

I began to think that even though our society essentially<br />

dismisses the meaning of architecture and the value of placemaking,<br />

it is obvious that the psyche is tuned in to its importance.<br />

And it therefore follows that the modern designer has a key role to<br />

play in not only designing the built world, but in also creating<br />

settings for the dreaming that comes from our inner world.<br />

Everything we make exists in the built world and the dream world.<br />

Our conscious mind may be busy taking a photograph at the<br />

cottage or drinking coffee in the kitchen or angrily driving to work,<br />

but our unconscious mind is aware of absorbing the experience<br />

from a symbolic angle. <strong>The</strong> cities and landscapes we inhabit are<br />

experienced consciously and unconsciously, exactly the same way<br />

we create them. Just as centuries of place-making are available to<br />

our dreaming mind, so too new creations offer settings that speak<br />

to states of mind yet to be dreamed.<br />

Working with the Dream<br />

PART THREE | INNER RESOURCES<br />

One night, when I was traveling by car through rural Arizona, I<br />

had a dream about tree roots. In this dream I found my house full<br />

of these extraordinary pieces of wood. When I woke up I felt<br />

happy–there was something rich, dark, and abundant about these<br />

pieces of wood. Later that day I was surprised to see in the local<br />

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