The Inner Studio - Riverside Architectural Press
The Inner Studio - Riverside Architectural Press
The Inner Studio - Riverside Architectural Press
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the need for me to change my perspective. <strong>The</strong> opening of the<br />
dream narrative locates the psychological orientation of the dream,<br />
and when we look at the setting of the dream, we find ourselves<br />
examining places that are either built or natural. <strong>The</strong> setting may<br />
be familiar or exotic, real or richly imagined, but it will always<br />
point to where we are in our unconscious.<br />
<strong>The</strong> way a real setting is used symbolically by the psyche to<br />
present information about the places in our lives where we are<br />
unconscious began to interest me. I wondered about the role of the<br />
setting because it is so important to the meaning of the dream and<br />
it is so important to work done by architects and designers. From<br />
basements to grand boulevards, from modern airports to mountains,<br />
there is no limit to the kind of settings found in dreams. And<br />
these are the very settings designers struggle with when they try to<br />
bring meaningful places to life through their work.<br />
I began to think that even though our society essentially<br />
dismisses the meaning of architecture and the value of placemaking,<br />
it is obvious that the psyche is tuned in to its importance.<br />
And it therefore follows that the modern designer has a key role to<br />
play in not only designing the built world, but in also creating<br />
settings for the dreaming that comes from our inner world.<br />
Everything we make exists in the built world and the dream world.<br />
Our conscious mind may be busy taking a photograph at the<br />
cottage or drinking coffee in the kitchen or angrily driving to work,<br />
but our unconscious mind is aware of absorbing the experience<br />
from a symbolic angle. <strong>The</strong> cities and landscapes we inhabit are<br />
experienced consciously and unconsciously, exactly the same way<br />
we create them. Just as centuries of place-making are available to<br />
our dreaming mind, so too new creations offer settings that speak<br />
to states of mind yet to be dreamed.<br />
Working with the Dream<br />
PART THREE | INNER RESOURCES<br />
One night, when I was traveling by car through rural Arizona, I<br />
had a dream about tree roots. In this dream I found my house full<br />
of these extraordinary pieces of wood. When I woke up I felt<br />
happy–there was something rich, dark, and abundant about these<br />
pieces of wood. Later that day I was surprised to see in the local<br />
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