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The Inner Studio - Riverside Architectural Press

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A C A S E S T U D Y<br />

Toronto:<br />

<strong>The</strong> City Who Is Whole<br />

I have never been aware before how many faces there are. <strong>The</strong>re are<br />

quantities of human beings, but there are many more faces, for each<br />

person has several.<br />

–RAINER MARIA RILKE<br />

Imagine if the modern city were to walk into the office of a therapist.<br />

<strong>The</strong> complaint of our city is simple: it doesn’t know who it<br />

is or how it’s supposed to act. It worries about what it will become.<br />

One day it feels whole, the next moment it feels dulled by indifference<br />

and violence. <strong>The</strong> suffering our city feels is exhausting. It<br />

wants beauty and charm, but doesn’t know where or how to begin.<br />

It feels drugged with infrastructure and ambition, yet it wants to<br />

please. Seldom does a day pass without intense comparing, frustration,<br />

or crisis. What sort of personality does our city have? What<br />

does our city project to others, and what does it know to be true in<br />

its heart? What of the pathology and the unconscious places that<br />

have been built and ignored? <strong>The</strong> places that are rejected are often<br />

the only places of authenticity; the places that are embraced reflect<br />

only what others expect us to be. Can modern cities consciously<br />

bring into form their defining moments, their significant, oftenpainful<br />

memories, their old wounds, and those hard-to-reach<br />

places and moments that make up their true character?<br />

What happens when urban design must include the psyche and<br />

body of the city? Cities are as subject to addictions, delusions,<br />

pathologies, and procrastinations as the individuals who live there.<br />

Cities need to bring love to their difficult places. What if we were<br />

to accept the idea that the city has conscious and unconscious<br />

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