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The Inner Studio - Riverside Architectural Press

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PART TWO | THE CREATIVE INSTINCT<br />

comes more slowly. Insight arrives with a kind of velocity, and<br />

needs to be treated as something precious. You have a chance to<br />

actually learn something from your insight. Before it arrives, you<br />

have never met it before; you have been waiting for its arrival,<br />

nonetheless it is a surprise. How can you learn about the insight?<br />

Try exploring a relationship with it. Treat it like a newfound friend.<br />

Ask it questions about itself. Ask yourself questions about it. What<br />

are its implications? Another insight may arise, and then, through<br />

the answer, understanding arises. Understanding involves us in<br />

patiently or steadfastly listening, assimilating, and digesting.<br />

Insight without understanding will leave us stuck and our work<br />

will seem not fully formed.<br />

Understanding makes us feel whole and happy. When we<br />

understand something, others naturally recognize this and often<br />

are drawn to ask about it. We don’t have to force the understanding<br />

on others; they will naturally be attracted to its contents. So<br />

another characteristic of understanding is that it benefits many<br />

people–it is naturally harmonizing. <strong>The</strong> door of understanding,<br />

once open to us, is naturally there for others to experience through<br />

the way it is embodied in our work. Understanding brings an<br />

exemplary quality to our design work. It is a kind of beauty that<br />

lingers like a deep porch overlooking a garden.<br />

Stabilizing the idea<br />

A key moment in the life of any creative project occurs very early<br />

in its development. This is the moment immediately after the<br />

design is born, when the designer needs to begin developing his or<br />

her project. Remember that inspiration is something we receive–<br />

once we have received it, we need to become aware of the qualities<br />

that distinguish our work so that we can consciously develop them.<br />

At this stage of work we begin the tricky process of balancing inflation<br />

and humility, in which the authors must learn to both separate<br />

from and have affection for their designs. Becoming aware of the<br />

essence of your idea and analyzing its qualities is really the introduction<br />

of the ego into the creative process. Without this step we<br />

may never be able to develop the richness and complexity of our<br />

projects. Stabilizing the design involves the active acceptance of<br />

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