24.12.2012 Views

The Inner Studio - Riverside Architectural Press

The Inner Studio - Riverside Architectural Press

The Inner Studio - Riverside Architectural Press

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

PART SIX | THE PROLIFERATION OF DESIGN<br />

person to effect healing. This means that the conscious and unconscious<br />

aspects of the world need to be brought into the light of<br />

design. This is not a naive idea–it is a practical idea based on<br />

observing our current world. It is about the necessity for the heart<br />

and mind to wrestle with the uncontrollable energy of creation. We<br />

need to be willing to wrestle with all the energies that make our<br />

built world. This, of course, takes time to learn, time to practice,<br />

and time to implement. This is not a revolution that can happen in<br />

the space of an advertisement. We need to be willing to undertake<br />

long-term and difficult assignments. Our new understanding<br />

involves not isolating or celebrating the unconscious, but taking<br />

responsibility for it, and wrestling it down to a more consciously<br />

transformed earth.<br />

Breaking Through<br />

Creativity is a type of learning where the teacher and pupil are located in<br />

the same individual.<br />

–ARTHUR KOESTLER<br />

At the heart of design has always been the desire to make the<br />

world better. I became convinced of this through two very different<br />

experiences. First, the unshakable altruism, energy, and joy always<br />

present in the work of students when they are given the opportunity<br />

to express themselves through the act of design. Students have<br />

powerful instincts about what is missing from the world. <strong>The</strong>y<br />

need a seat at the table when important decisions are being<br />

debated. Second, the seemingly infinite variety of spaces, artifacts,<br />

and places that cultures generate when they express themselves<br />

through design. <strong>The</strong> places of worship in Assisi are different from<br />

those in Kyoto, as are the teacups, houses, and streetscapes, yet<br />

there is a palpable sense of fit between place and the needs of<br />

people. This is based on a timeless sense that design is capable<br />

of fulfilling a deep and intimate call that is persistent in humanity.<br />

For centuries designers have been trying to make the built world<br />

a place where we belong, thrive, and live more happily. Living<br />

175

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!