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The Inner Studio - Riverside Architectural Press

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Listening to Fatigue & Exhaustion 60<br />

Body-Centered Design 64<br />

<strong>The</strong> Furniture of George Nakashima 67<br />

Dreams 7 2<br />

Architecture at Night 72<br />

<strong>The</strong> Structure of the Dream 74<br />

Working with the Dream 75<br />

Symbols 78<br />

<strong>The</strong> Symbolic World of Masculine & Feminine 80<br />

<strong>The</strong> National Museum of Anthropology, Mexico 85<br />

<strong>The</strong> Symbolic House 86<br />

Belongings, Possessions 88<br />

Designers’ Dream Work 90<br />

Frank Gehry in Berlin 93<br />

Shadow 9 3<br />

<strong>The</strong> Built World as a Barometer of Wholeness 101<br />

<strong>The</strong> New Public Place of Shadows 103<br />

Maya Lyn, <strong>The</strong> Viet Nam Memorial 106<br />

PART FOUR <strong>Inner</strong> Know-How 109<br />

Visualization 1 0 9<br />

<strong>The</strong> Experience of Visualization 110<br />

Preliminary Practices 111<br />

Active imagination 1 1 8<br />

Learning to Wrestle 1 2 8<br />

Wrestling with Design Development 128<br />

<strong>The</strong> Child in the Adult 129<br />

Drawing First Drawings 131<br />

Drawing as Language 134<br />

Some Guidelines for Starting Out 134<br />

<strong>The</strong> Parti Drawing 137<br />

<strong>Inner</strong> & Outer First Critiques 1 3 8<br />

Generating Creative Inventory 140<br />

First Stage: Preliminary Design 141<br />

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