The Inner Studio - Riverside Architectural Press

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Listening to Fatigue & Exhaustion 60 Body-Centered Design 64 The Furniture of George Nakashima 67 Dreams 7 2 Architecture at Night 72 The Structure of the Dream 74 Working with the Dream 75 Symbols 78 The Symbolic World of Masculine & Feminine 80 The National Museum of Anthropology, Mexico 85 The Symbolic House 86 Belongings, Possessions 88 Designers’ Dream Work 90 Frank Gehry in Berlin 93 Shadow 9 3 The Built World as a Barometer of Wholeness 101 The New Public Place of Shadows 103 Maya Lyn, The Viet Nam Memorial 106 PART FOUR Inner Know-How 109 Visualization 1 0 9 The Experience of Visualization 110 Preliminary Practices 111 Active imagination 1 1 8 Learning to Wrestle 1 2 8 Wrestling with Design Development 128 The Child in the Adult 129 Drawing First Drawings 131 Drawing as Language 134 Some Guidelines for Starting Out 134 The Parti Drawing 137 Inner & Outer First Critiques 1 3 8 Generating Creative Inventory 140 First Stage: Preliminary Design 141 viii
PART FIVE Using This Life to Be Creative & Wise 142 The Four Functions 1 4 2 Working with Your Strengths & Weaknesses 146 Thinking Too Much 147 Getting Stuck 1 4 8 12 Ways of Getting Stuck 152 Drawing on Our Own Inner Resources 1 6 4 Hearing the Roots of the Creative Voice 164 The Wall 165 PART SIX The Proliferation of Design 173 Breaking Through 1 7 5 A CASE STUDY Toronto: The City Who Is Whole 177 RESOURCES 197 ix
Page 3 and 4: The INNER STUDIO A DESIGNER’S GUI
Page 5: A C K N O W L E D G M E N T S This
Page 11 and 12: Introduction The Inner Studio is ab
Page 13 and 14: INTRODUCTION design and legislate f
Page 15 and 16: INTRODUCTION the library, and as I
Page 17 and 18: INTRODUCTION world. What is missing
Page 19 and 20: PART ONE | THE INNER WORLD OF THE P
Page 31 and 32: PART TWO | THE CREATIVE INSTINCT Fo
Page 33 and 34: Openness PART TWO | THE CREATIVE IN
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PART TWO | THE CREATIVE INSTINCT co
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P A R T T H R E E Inner Resources A
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the built world rests with designer
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PART THREE | INNER RESOURCES safe f
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PART THREE | INNER RESOURCES also h
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PART THREE | INNER RESOURCES body i
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PART THREE | INNER RESOURCES when w
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Another way of thinking about the c
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PART THREE | INNER RESOURCES the ex
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PART THREE | INNER RESOURCES postur
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PART THREE | INNER RESOURCES It Tak
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PART THREE | INNER RESOURCES It Is
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PART THREE | INNER RESOURCES from o
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the need for me to change my perspe
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to sit, the light in the basement t
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PART THREE | INNER RESOURCES We for
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PART THREE | INNER RESOURCES patria
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PART THREE | INNER RESOURCES Yang e
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PART THREE | INNER RESOURCES realit
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PART THREE | INNER RESOURCES hidden
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to get them from a big chest of dra
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PART THREE | INNER RESOURCES uncle
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Frank Ghery in Berlin The DG Bank h
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PART THREE | INNER RESOURCES repres
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PART THREE | INNER RESOURCES of 30
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PART THREE | INNER RESOURCES with o
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The House of Shadows Draw an image
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We are driven to perfection to avoi
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Imagine the elevation of a school t
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PART THREE | INNER RESOURCES cism;
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P A R T F O U R Inner Know-How This
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When we draw something, we are ofte
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PART FOUR | INNER KNOW-HOW 1. Now i
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ells? Could you smell of the roses
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PART FOUR | INNER KNOW-HOW to not o
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PART FOUR | INNER KNOW-HOW ing, or
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PART FOUR | INNER KNOW-HOW When you
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PART FOUR | INNER KNOW-HOW where yo
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PART FOUR | INNER KNOW-HOW spread f
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PART FOUR | INNER KNOW-HOW EXERCISE
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PART FOUR | INNER KNOW-HOW to revea
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PART FOUR | INNER KNOW-HOW The answ
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PART FOUR | INNER KNOW-HOW the crea
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PART FOUR | INNER KNOW-HOW When the
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PART FOUR | INNER KNOW-HOW After pr
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PART FOUR | INNER KNOW-HOW mentioni
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PART FOUR | INNER KNOW-HOW First St
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PART FIVE | USING THIS LIFE TO BE C
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PART SIX | THE PROLIFERATION OF DES
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A C A S E S T U D Y Toronto: The Ci
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North American cities, native settl
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TORONTO: THE CITY WHO IS WHOLE down
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TORONTO: THE CITY WHO IS WHOLE Appr
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Yonge Street TORONTO: THE CITY WHO
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TORONTO: THE CITY WHO IS WHOLE Five
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TORONTO: THE CITY WHO IS WHOLE beca
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TORONTO: THE CITY WHO IS WHOLE as a
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TORONTO: THE CITY WHO IS WHOLE down
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Death and the City TORONTO: THE CIT
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Resources Campbell, J. The Mythic I
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The Inner Studio - Riverside Architectural Press

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