The Inner Studio - Riverside Architectural Press
The Inner Studio - Riverside Architectural Press
The Inner Studio - Riverside Architectural Press
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PART THREE | INNER RESOURCES<br />
cism; they embody an ideal. Every monument repeats the ritual of<br />
rising up to the interior as though the visitor was entering a temple.<br />
<strong>The</strong>y are all symmetrical, and the grand moment of entry is carried<br />
internally into a large rotunda that contains white marble representations<br />
from the pantheon of great leaders. <strong>The</strong>se places are<br />
built instructions, an invitation to emulate, celebrate, and follow<br />
the example. Who knows or really has time to ask if we are still so<br />
confident or excited about declaring what we stand for? Who is<br />
going to dare question these powerful symbols we aspire to<br />
become? This area of Washington is a living symbol and the spiritual<br />
center of the United States.<br />
Entering the Viet Nam Memorial<br />
We go down to it. Down is to modernity what the Pacific Ocean<br />
was to the age of exploration: our last, eternal frontier, the last great<br />
unknown. <strong>The</strong> monument is everywhere and we can barely summon<br />
the courage to look at it, let alone set out to explore it. But<br />
journey down we must because everything except the great deep<br />
spaces that go down forever inside us has already been discovered.<br />
We know instinctively that once we descend, we can never again<br />
rise as innocently into the sweet blue sky. We go down into earth,<br />
where trenches and graves are dug and battles are fought. With a<br />
shimmering dark wall beside our path, we find that we suddenly<br />
want to go down.<br />
We need to know about the going down–not just the direction,<br />
but also the experience of descent. Are you aware of the act of giving<br />
up the possibility of all other directions? <strong>The</strong>re will be no going up<br />
and out, we are heading down and when we go down, we are<br />
inevitably going in. <strong>The</strong>re are names to read and the names on a war<br />
monument are death. Death is spoken here–it’s heavy–and we’re<br />
beginning to go down. We have forgotten that this trip to below the<br />
horizon is temporary. Once you begin to go down, a strange familiarity<br />
creeps in us. <strong>The</strong> sky is still blue overhead, the possibility for<br />
courage is with us. We are not alone; this is, after all, the Mall in<br />
Washington. This is the center of the power of the brave and the<br />
home of the free. We all go down into the great black box of<br />
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