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The Inner Studio - Riverside Architectural Press

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THE INNER STUDIO<br />

especially symbols of the paradoxical and perplexing, the unfinished<br />

experience, and the unanswerable question.<br />

We need built places that allow us to gather ourselves to reflect<br />

on the irrational forces that effortlessly and randomly penetrate life.<br />

And one of the new ways we can begin to understand the design of<br />

cities is through the inclusion of places that sponsor these symbols<br />

of both sorrow and happiness. Great cities have instinctively<br />

understood this. A city that only remembers its great and glorious<br />

moments is probably a city that is incomplete. We need to remember<br />

that it is more helpful to be whole than perfect, and that vision<br />

calls for us to make places that can hold the difficult and unrecognized<br />

as well as the exceptional. We are practiced at the art of<br />

memorializing what we want to remember, but every city might<br />

want to ask itself, “What is it that we would rather forget?” “What<br />

would we like never to see again?” Somehow, somewhere, we may<br />

wish to try to make a place where this seemingly undesirable<br />

psychic material can be safely contained and visited.<br />

People come to Berlin today and are surprised that so little of<br />

the wall remains. For 50 years Checkpoint Charlie was the focus of<br />

world attention. Somehow a plaque cannot represent this<br />

adequately. Beautiful plazas and great buildings stand where once<br />

the wall once stood, but people seem more interested in the difficult<br />

and unfinished dark reality of the wall. What visitor to that<br />

place doesn’t have a few dark stubborn walls of separation and<br />

isolation in their own history? Who doesn’t have standoffs and<br />

escapes? This is a call to cities to acknowledge and assimilate their<br />

real history as a way of bringing new and shadowy place-making to<br />

the urban world.<br />

<strong>The</strong> last word on difficulty must go to Marie Louise von Franz,<br />

a colleague of Carl Jung who spent many years studying alchemy,<br />

dream, and fairy tales, and became well known for her learned<br />

insight and full of practical advice.<br />

Jung has said to be in a situation where there is no way out, or<br />

to be in a conflict where there is no solution, is the classical<br />

beginning of the process of individuation. It is meant to be a<br />

situation without solution: the unconscious wants the hopeless<br />

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