The Inner Studio - Riverside Architectural Press
The Inner Studio - Riverside Architectural Press
The Inner Studio - Riverside Architectural Press
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
PART TWO | THE CREATIVE INSTINCT<br />
openness will suffer. Too much openness, and there is a lack of<br />
focus. Looking at a flower is a good way to practice being open. If<br />
you find you are too concentrated, allow the looking to come from<br />
your whole body. Can you look at the flower with an open body?<br />
What about being open to other, more mysterious phenomena,<br />
such as the night sky? What about being open to learning from a<br />
dream, or perhaps the symptoms from your body? We want to get<br />
to know the feeling of being open so that we can learn how to use<br />
our inner and outer circumstances to support our creativity.<br />
Students of art, architecture, and design may work in a studio,<br />
but having a creative attitude means looking at the entire world as<br />
your studio. Everything you encounter–the taste of jam, the way<br />
shadows mark a wall, the chance remark of a friend, your curiosity<br />
about bicycles–everything you are open to has the potential to<br />
become part of your creative transformation. <strong>The</strong> ability to be open<br />
means you have enrolled in the classroom of life and are willing to<br />
learn from the way the phenomena of the world affect your body<br />
and mind.<br />
Kyoto<br />
In Japan the instructions about our relationship to space are not<br />
transmitted in public piazzas but in gardens. <strong>The</strong> Japanese are less<br />
concerned with the lessons of being in space than they are with the<br />
lessons of being present, less concerned with our position in the<br />
external world than with our relationship to our inner world.<br />
Japanese gardens are filled with objects such as gates, trees, plants,<br />
and stones, but rarely are you encouraged to move along a path. All<br />
points seem equal, as though it is more important to be present<br />
than to get somewhere. <strong>The</strong> hierarchy of external things is undone<br />
and you feel guided to observe your own mind. To be in the middle<br />
of things is to be centered in your own body and mind. A garden<br />
devoted to reflecting the nature of the mind, the expecting, rejecting,<br />
assuming, rejoicing, and starting-again mind. It must be<br />
spacious to be able to hold so much conflict, so many memories<br />
and opinions. <strong>The</strong>re is nothing to do in these gardens. Nothing is<br />
being sold. Nothing is blinking the latest stock market quotes. This<br />
is empty-space instruction. Not being encouraged to move subtly<br />
25