24.12.2012 Views

The Inner Studio - Riverside Architectural Press

The Inner Studio - Riverside Architectural Press

The Inner Studio - Riverside Architectural Press

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

PART TWO | THE CREATIVE INSTINCT<br />

openness will suffer. Too much openness, and there is a lack of<br />

focus. Looking at a flower is a good way to practice being open. If<br />

you find you are too concentrated, allow the looking to come from<br />

your whole body. Can you look at the flower with an open body?<br />

What about being open to other, more mysterious phenomena,<br />

such as the night sky? What about being open to learning from a<br />

dream, or perhaps the symptoms from your body? We want to get<br />

to know the feeling of being open so that we can learn how to use<br />

our inner and outer circumstances to support our creativity.<br />

Students of art, architecture, and design may work in a studio,<br />

but having a creative attitude means looking at the entire world as<br />

your studio. Everything you encounter–the taste of jam, the way<br />

shadows mark a wall, the chance remark of a friend, your curiosity<br />

about bicycles–everything you are open to has the potential to<br />

become part of your creative transformation. <strong>The</strong> ability to be open<br />

means you have enrolled in the classroom of life and are willing to<br />

learn from the way the phenomena of the world affect your body<br />

and mind.<br />

Kyoto<br />

In Japan the instructions about our relationship to space are not<br />

transmitted in public piazzas but in gardens. <strong>The</strong> Japanese are less<br />

concerned with the lessons of being in space than they are with the<br />

lessons of being present, less concerned with our position in the<br />

external world than with our relationship to our inner world.<br />

Japanese gardens are filled with objects such as gates, trees, plants,<br />

and stones, but rarely are you encouraged to move along a path. All<br />

points seem equal, as though it is more important to be present<br />

than to get somewhere. <strong>The</strong> hierarchy of external things is undone<br />

and you feel guided to observe your own mind. To be in the middle<br />

of things is to be centered in your own body and mind. A garden<br />

devoted to reflecting the nature of the mind, the expecting, rejecting,<br />

assuming, rejoicing, and starting-again mind. It must be<br />

spacious to be able to hold so much conflict, so many memories<br />

and opinions. <strong>The</strong>re is nothing to do in these gardens. Nothing is<br />

being sold. Nothing is blinking the latest stock market quotes. This<br />

is empty-space instruction. Not being encouraged to move subtly<br />

25

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!