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The Inner Studio - Riverside Architectural Press

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PART TWO | THE CREATIVE INSTINCT<br />

What is most important is to trust our heart’s desire to connect<br />

us with the vibrant and rich source of images and creative instincts<br />

that are needed in the built world. Spirit without matter leaves us<br />

with ghostly places, while the unrelenting world of matter without<br />

a higher purpose leaves us feeling alone in a banal environment.<br />

<strong>The</strong> idea that launches a project has great importance to designers<br />

and society. Our heart’s desire has the power to transform what<br />

begins in the mind into something that can help and inspire<br />

others.<br />

In the beginning, you may experience confusion about what<br />

constitutes your heart’s desire. Although the designer in you has<br />

been moved, you still may be more focused on comparing yourself<br />

to others or even devaluing your own experience. My experience is<br />

that everyone has their own unique way of being creative. When a<br />

number of people visit the same place there are always multiple<br />

stories to tell. Someone may bring back a sketch, someone else may<br />

bring back a stone. Another person may relate a memory that was<br />

triggered. Someone may be amazed by the way the light struck a<br />

branch. Any experience can form the seed that moves us.<br />

Where does a creative instinct come from? No one knows<br />

exactly, but we all know how to ask for help. And this capacity to<br />

sincerely ask a question forms the starting point for design explorations.<br />

We want to learn to trust our heart’s desire to give us the<br />

strength to withstand what confronts designers at the start of every<br />

project–the unknown.<br />

EXERCISE: FINDING YOUR HEART’S DESIRE<br />

In pairs, divide into a designer and a listener. <strong>The</strong> role of the designer is<br />

to describe, declare, and speculate about every aspect of a current project,<br />

without any interruption or comment, in as much detail as possible.<br />

<strong>The</strong> emphasis is on the complete freedom of the designer to express his<br />

or her sense of the design. <strong>The</strong> listener’s job is to take notes. What is<br />

important is to really listen without judgment and be as patient as you<br />

can. Give the designer all the attention!<br />

When the designer is completely finished, the listener then reports<br />

back to the designer the key ideas and images that have been stated. It’s<br />

important to let the designer know what elements were repeated and<br />

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