The Inner Studio - Riverside Architectural Press
The Inner Studio - Riverside Architectural Press
The Inner Studio - Riverside Architectural Press
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PART TWO | THE CREATIVE INSTINCT<br />
What is most important is to trust our heart’s desire to connect<br />
us with the vibrant and rich source of images and creative instincts<br />
that are needed in the built world. Spirit without matter leaves us<br />
with ghostly places, while the unrelenting world of matter without<br />
a higher purpose leaves us feeling alone in a banal environment.<br />
<strong>The</strong> idea that launches a project has great importance to designers<br />
and society. Our heart’s desire has the power to transform what<br />
begins in the mind into something that can help and inspire<br />
others.<br />
In the beginning, you may experience confusion about what<br />
constitutes your heart’s desire. Although the designer in you has<br />
been moved, you still may be more focused on comparing yourself<br />
to others or even devaluing your own experience. My experience is<br />
that everyone has their own unique way of being creative. When a<br />
number of people visit the same place there are always multiple<br />
stories to tell. Someone may bring back a sketch, someone else may<br />
bring back a stone. Another person may relate a memory that was<br />
triggered. Someone may be amazed by the way the light struck a<br />
branch. Any experience can form the seed that moves us.<br />
Where does a creative instinct come from? No one knows<br />
exactly, but we all know how to ask for help. And this capacity to<br />
sincerely ask a question forms the starting point for design explorations.<br />
We want to learn to trust our heart’s desire to give us the<br />
strength to withstand what confronts designers at the start of every<br />
project–the unknown.<br />
EXERCISE: FINDING YOUR HEART’S DESIRE<br />
In pairs, divide into a designer and a listener. <strong>The</strong> role of the designer is<br />
to describe, declare, and speculate about every aspect of a current project,<br />
without any interruption or comment, in as much detail as possible.<br />
<strong>The</strong> emphasis is on the complete freedom of the designer to express his<br />
or her sense of the design. <strong>The</strong> listener’s job is to take notes. What is<br />
important is to really listen without judgment and be as patient as you<br />
can. Give the designer all the attention!<br />
When the designer is completely finished, the listener then reports<br />
back to the designer the key ideas and images that have been stated. It’s<br />
important to let the designer know what elements were repeated and<br />
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