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The Inner Studio - Riverside Architectural Press

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PART TWO | THE CREATIVE INSTINCT<br />

of myself that I didn’t realize was hungry is fulfilled by this nourishment.<br />

It lets me grow and include aspects of myself that would otherwise be<br />

excluded.<br />

<strong>The</strong> purpose of the following exercises is to become more familiar<br />

with what moves you. You will get to know who you are through what<br />

you like.<br />

1. Make of list of your favorite things. Visualize them or bring some of<br />

them together. Arrange them in some form of composition.<br />

Everything we choose has a meaning. What do these things have in<br />

common? Ask yourself why you like them? What are their design<br />

qualities? What do they have to say to you? Go through each room<br />

in your house and reflect on the space and its artifacts. You can even<br />

look at your city in the same way.<br />

2. Use your imagination to visualize something that would make you<br />

happy. Something that would make your family or community<br />

happy. Something that would make your town or city happy.<br />

3. Think of the place where you spend most of your time. Are you at<br />

home there? If so, why? What makes that place feel “right”? If it<br />

doesn’t, why not?<br />

Starting a project by connecting to your heart’s desire generates<br />

the creative power necessary to survive the resistance, constraints,<br />

and hardship that inevitably accompany the transformation of an<br />

idea into matter. <strong>The</strong> complexity, doubt, and difficulty that naturally<br />

occur in the planning, managing, and construction of<br />

something will overwhelm a project that does not have a heartfelt<br />

essence at its core. Projects that have this heartfelt essence inspire<br />

people. At the same time, with this starting point, the designer<br />

must guard him or herself against the arrogance and sense of<br />

power that can easily seduce us and spoil our creativity.<br />

As a designer recognizes the sensation of being moved, a new<br />

phase of development begins. Anyone can be open and therefore<br />

moved, but for designers this moment has even greater significance<br />

and responsibility; it is the precise moment when the possibility of<br />

transformation comes alive. <strong>The</strong> designer’s new responsibility at this<br />

point is to investigate exactly what has moved him or her and why.<br />

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