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Music Therapy Today - World Federation of Music Therapy

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<strong>Music</strong> fingerprinting system is fastest yet<br />

<strong>Music</strong>IP, based in California, US, announced last week that it had<br />

received a US patent for its method <strong>of</strong> automatically identifying, or "fin-<br />

gerprinting", digital music files.<br />

The company already <strong>of</strong>fers s<strong>of</strong>tware that analyses the music collection<br />

on a computer, identifies it, and makes recommendations.<br />

But now it will now <strong>of</strong>fer its music identification feature for other com-<br />

panies to include in their products.<br />

The system can recognise a song from its audio "fingerprint" in a fraction<br />

<strong>of</strong> a second. This allows users to rapidly organise their music collection,<br />

discover more about a particular track or get new recommendations,<br />

through connected databases, regardless <strong>of</strong> the format <strong>of</strong> the audio file.<br />

DOMINANT TONES Matthew Dunn, chief executive <strong>of</strong> <strong>Music</strong>IP, claims his company's finger-<br />

printing technology is the fastest available and uses the largest commer-<br />

cial database – containing 17 million songs.<br />

To make a fingerprint, <strong>Music</strong>IP quickly scans the first 2 minutes <strong>of</strong> a<br />

track and records frequency data every 185 milliseconds, before com-<br />

pressing the results into a 512 byte file. It also measures records the four<br />

most dominant tones in the first 30 seconds <strong>of</strong> the music.<br />

The program uses information about these dominant tones to narrow the<br />

search before searching the song database using the frequency informa-<br />

tion. Dunn says this allows the company to perform hundreds <strong>of</strong> searches<br />

each second and that the service is sensitive enough to distinguish<br />

between different versions <strong>of</strong> the same tune, such as live and studio<br />

recordings.<br />

Odds and ends - themes and trends 476

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