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Music Therapy Today - World Federation of Music Therapy

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Fachner, J. (2006) ‘Set and setting’ in an electrophysiological research paradigm on music perception under the influence <strong>of</strong> cannabis<br />

and correlated brain function. <strong>Music</strong> <strong>Therapy</strong> <strong>Today</strong> (Online) Vol.VII (2) 333-374. available at http://musictherapyworld.net<br />

• 30 minutes intermission<br />

• Smoking 0.3 gr. cannabis (20 mg THC) in tobacco joint<br />

• After 10 minutes EEG start<br />

• Altered State: Post-THC-EEG (music and rest with THC)<br />

• Listening to the same music / same measuring situation and setting<br />

• 4 Subjects (3 male/1 female)<br />

The aim to do research with an EEG <strong>of</strong> peoples’ habituations in a natural-<br />

istic life world setting with minimum limitations introduced by the<br />

researcher evokes problems in estimating the quality <strong>of</strong> the data. Results<br />

<strong>of</strong> this explorative study should be regarded as a kind <strong>of</strong> physiologically<br />

correlated ethnographic description <strong>of</strong> cannabis culture in Europe. This<br />

methodology might evoke some questions that should be discussed at the<br />

outset. How can we ensure to visualize substance-related music percep-<br />

tion during a brain imaging study in an ethnographic setting?<br />

SETTING AND CULTURE Following Baudelaire’s description <strong>of</strong> cannabis intoxication stages, this<br />

study accompanies the second contemplative stage (Baudelaire, 1966).<br />

This ethnographic setting <strong>of</strong> cannabis consumption, which is in itself a<br />

development within cannabis culture <strong>of</strong> music listening, goes back to<br />

Chinese drug culture and Harlem Tea Pads <strong>of</strong> the 30s (Anonymos, 1936;<br />

Jonnes, 1999, p.119ff). Nowadays a “chill-out room” used in modern<br />

rave parties has the same setting characteristics (Fachner, 2004). It per-<br />

mits a relaxed contemplative listening to music with closed eyes in the<br />

way David described physiological types <strong>of</strong> music listeners (David et al.,<br />

1983). Listening to music with closed eyes was also used in a certain<br />

music therapy approach called Guided Imagery. The setting <strong>of</strong> this<br />

approach was developed throughout psychedelic therapy (Gr<strong>of</strong>, 1994; T.<br />

Leary et al., 1964) where music and psychedelic drugs were used to stim-<br />

ulate the unconscious to evoke imaginations and associations <strong>of</strong> an indi-<br />

vidual (Bonny, 1975; Bonny & Pahnke, 1972). Closed eyes EEG<br />

recording is a common procedure in pharmacoencephalography (Struve<br />

The Exploration 347

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