READING HEINRICH HEINE
READING HEINRICH HEINE
READING HEINRICH HEINE
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280 Notes to pages 159–165<br />
18 DZ 16; Börne, Sämtliche Schriften,V,11.<br />
19 Sammons recognizes different impulses but insists that they are in conflict as<br />
‘two different attitudes, one political and democratic, the other aesthetic and<br />
aristocratic’ (The Elusive Poet,p.250).<br />
20 See Helmut Koopmann’s commentary, DHA 11, 327.<br />
21 Rose, The Broken Middle,p.165.Myuse of the term ‘authorship’ is derived in<br />
particular from chapter 5, ‘Love and the State’.<br />
22 See Werner, ‘Frères d’armes ou frères ennemis?’, p. 254.<br />
23 HSA XXI, 28, cited by Wolfgang Hädecke, Heinrich Heine, eine Biographie<br />
(Munich: Hanser, 1985), p. 283.<br />
24 Börne, Sämtliche Schriften,vol. II, p. 898<br />
25 Inge Rippmann points out that in Shakespeares Mädchen und Frauen Heine<br />
attacks the same combination of ‘ascetic religious zeal and republican fanaticism’<br />
(B 4, 176) inEnglish Puritanism. See Rippmann, ‘Heines Denkschrift<br />
über Börne’, p. 49.<br />
26 See Hädecke, Heinrich Heine,p.276;Sammons, AModern Biography, p.190.<br />
27 The passage is so construed by Briegleb, B 4, 774n.<br />
28 HSA XXIV, 105; cf. XXIVK, 90 ad loc.<br />
29 See Campe’s letters of 13 March 1832; 16 March, 25 June, 3 December 1833 (HSA<br />
XXIV, 114–18, 159, 178–83, 228–31); and Heine’s letters to Campe of 16 January<br />
1834; 20 December 1836 (HSA XXI, 74, 172–3) –‘When people named your<br />
most recent author to me, I covered my face’ – though it is not certain that<br />
Campe was right in reading this as a reference to Börne; 23 January 1837 (HSA<br />
XXI, 174–5).<br />
30 Sammons was one of the first to evaluate this aspect of the Denkschrift. Fora<br />
summary see AModern Biography,pp.238–9.<br />
31 My account of Rahel Levin’s ‘language’ owes a great deal to Norbert Altenhofer’s<br />
study in the posthumous collection named after it, Die verlorene Augensprache,<br />
pp. 58–75: particularly pp. 58–60. Altenhofer’s essay concentrates on an exposition<br />
of Ideen. Das Buch Le Grand.<br />
32 For afull discussion of the paradoxes of political stylistics in the early part of<br />
the nineteenth century see Briegleb on ‘jenes...Lächeln’, B 4, 765–6.<br />
33 Letter to Fouqué of26 July 1809, see Rahel Varnhagen, Im Umgang mit<br />
ihren Freunden (Briefe 1793–1833), ed. Friedhelm Kemp (Munich: Kösel, 1967),<br />
pp. 295–7. Gillian Rose cites this extraordinary letter in The Broken Middle,<br />
p. 192.<br />
34 See Briegleb, Opfer Heine?,pp.157–78 on the ‘Diskurs der Ausgrenzung’.<br />
35 Rose, The Broken Middle,pp.187–8.<br />
36 ‘Geheimnis, Verschweigen, Zensurrücksicht und Selbstzensur, Lächeln, Augensprache<br />
usw.’, B 4, 948; compare 753–4.<br />
37 Compare Rose: ‘Remaining within the agon of authorship they [Rahel Varnhagen,<br />
Rosa Luxemburg, Hannah Arendt] cultivate aporetic universalism, restless<br />
affirmation and undermining of political form and political action, which<br />
never loses sight of the continuing mutual corruption of the state and civil<br />
society ...’(The Broken Middle,p.155).