Appendix CASE ONE - Collection Point® | The Total Digital Asset ...
Appendix CASE ONE - Collection Point® | The Total Digital Asset ...
Appendix CASE ONE - Collection Point® | The Total Digital Asset ...
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Chapter 6<br />
An Introduction to Iconographical Studies of Legal<br />
History<br />
I. England and Wales<br />
A.H. Manchester<br />
As historians we are constantly searching for little-used or new sources. Until<br />
quite recently legal historians had made little effective use of the numerous<br />
volumes of nineteenth-century parliamentary papers which tell us so much<br />
about legal matters, despite the work of Holdsworth some years ago and,<br />
more recently, of Radzinowicz. Outside our own field we may note the value<br />
of filmed newsreels and of documentaries to the historian of the modern<br />
period. Simon Schama has demonstrated convincingly how an excellent<br />
narrative history of an earlier period still can be enriched by the lavish<br />
use of contemporary illustrations. 1 To what extent can we legal historians<br />
make good use of such materials in our own field? Can we usefully develop<br />
an iconography of legal history? To what extent does the work of our European<br />
colleagues help us in that inquiry?<br />
Margariet Becker describes below the work of her own Centre for the<br />
Documentation of Legal History and Legal Iconography in Amsterdam<br />
in addition to referring to the work of other European scholars. I am<br />
making a modest start in respect of England and Wales. With the help<br />
of a grant from the Economic and Social Research Council I am seeking<br />
out representations, drawn in the main from the period 1750-1900, of<br />
law courts, law suits, trials, the legal profession and judiciary and forms<br />
of punishment and the like. <strong>The</strong> representations may be in the form of<br />
paintings, prints, sculptures or photographs. <strong>The</strong>y may exist in their own<br />
right or they may be illustrations in a book. I do not include portraits<br />
of individuals within my aims except in so far as they may illustrate a<br />
more general point. For example, I am interested in a judicial portrait<br />
only if it illustrates, say, judicial dress: the personal likeness of the judge<br />
is of no interest. Such a project is by no means wholly original, even in<br />
the Anglo-American tradition. Some years ago Professor John Langbein<br />
illustrated one of his learned articles on the criminal law by means of<br />
some twelve pictures. <strong>The</strong>y demonstrate very well what I have in mind.<br />
1 S. Schama, Citizens (1989).