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Appendix CASE ONE - Collection Point® | The Total Digital Asset ...

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148 Legal History in the Making<br />

occasion indicative of these powers was the four-year-old's response to a<br />

concerned enquiry after having hot coffee spilt over of his legs: Thank<br />

you, madam, the agony is abated'. 8 This infant phenonomen grew into an<br />

adult phenonomen possessed of considerable linguistic skills, an astonishing<br />

memory fed by a voracious eclecticism which produced great broad-fronted<br />

erudition. Equipped with such talents, the adult Macaulay quickly established<br />

himself as a spectacular conversationalist and, by his contributions to the<br />

Edinburgh Review, as a distinctly stylish and promising man of letters. By the<br />

age of thirty-three Macaulay had become a man of mark in society, literature<br />

and politics. His writing style, and what his friend Sydney Smith called great<br />

'waterspouts of talk', both fascinated, intimidated and exhausted readers and<br />

listeners. Again, Smith tells us, Macaulay 'not only overflowed with learning<br />

but stood in the slops'. 9 According to another contemporary: 10<br />

His voice is one of the most monotonous and least agreeable of those which usually<br />

belong to our countrymen north of the Tweed: pitched in alto and rather shrill,<br />

pouring forth words in inconceivable velocity: never stopping for words, never<br />

stopping for thoughts, never halting for an instant even to take breath, hauling<br />

the subject after him with the strength of a giant, till the hearer is left prostrate<br />

and powerless by the whirlwind of ideas and emotions that has swept over him.<br />

Complementary to this high speed delivery was a deep reserve of literary and<br />

historical learning which Macaulay constantly and naturally drew on. <strong>The</strong><br />

technique was eventually seen at work in House of Commons performances,<br />

something well described by G.M. Young: 11<br />

Between the beginning and end of a very short speech [on the Anatomy Bill]<br />

Macaulay has touched on the habits of murderers, France, Germany, Italy, the<br />

peasants of Russia and their Tsar,. . . barbers, old women and charms, the squaring<br />

of the circle and the transit of Venus, Richard of England, Leopold of Austria, and<br />

the bricklayer who falls from a ladder. <strong>The</strong> listener has been borne at exhilarating<br />

speed, but in perfect security, through a variegated landscape and deposited at his<br />

destination before he has time to wonder where he is going.<br />

As to political allegiance, he had entered Cambridge a Tory and left a<br />

Whig. Macaulay's political career began in 1830 as member of parliament for<br />

Calne, Wiltshire, a pocket borough within the gift of the Whig grandee Lord<br />

Lansdowne. His legendary reputation as a parliamentary debater got under<br />

way a year later with a speech supporting the second reading of the Reform Bill;<br />

a performance which, as well as opening the doors of Holland House, gained<br />

8 Recently quoted by Owen Dudley Edwards, Macaulay (1988), 6.<br />

9 Quoted by Hesketh Pearson, <strong>The</strong> Smith of Smiths (1984 ed.), 180. Smith also relates: Macaulay<br />

'breakfasted both with me this morning in company with three other very clever men much disposed to<br />

talk, but it was not Macaulay's disposition that they should say a word, I might as well have had three<br />

Mutes from a funeral', Selected Letters of Sydney Smith, Nowell C. Smith, ed. (1956), 198.<br />

10 G.F. Francis quoted by G.M. Young in 'Macaulay', Daylight and Champaign (1937), 12-13.<br />

11 Ibid., 13, '<strong>The</strong> speaker is thinking in images drawn from an inexhaustible store of historic<br />

reminiscence, and flashed on the mind of the listener with the force and dexterity of a born story-teller',<br />

14.

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