Appendix CASE ONE - Collection Point® | The Total Digital Asset ...
Appendix CASE ONE - Collection Point® | The Total Digital Asset ...
Appendix CASE ONE - Collection Point® | The Total Digital Asset ...
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<strong>The</strong> Presentation of Cases in Medieval Chancery Bills 15<br />
Although the order of the wording of the description of the 'approval'<br />
of the forgery at Salisbury is different in the two bills (11. 82-91), the<br />
fact that the provisions of this document were contrary to the true will is<br />
clear.<br />
Around these consistent elements in the two bills, the variant aspects of<br />
each case are clearly set forth. <strong>The</strong> holding of which Gye was seised and<br />
from which his bequests to the two petitioners came is described in both<br />
bills, but not in exactly the same way: Isabell states that it comprised five<br />
messuages, one cottage and three gardens, with appurtenances, while John<br />
notes that it was simply five messuages with appurtenances. <strong>The</strong>y do agree<br />
that it was in New Salisbury and held in demesne as in fee. Because there<br />
are two distinct petitioners in these bills, it is to be expected that the sections<br />
of each document that reflect upon them personally would be distinct. In<br />
the Incipit, Isabell describes herself as a poor and continual orator, while<br />
John presents himself as simply the chancellor's continual orator. In the<br />
Conclusion Isabell notes her great hurt, hindrance and undoing as the widow<br />
of the testator, while John, as befits his position with respect to Gye, refers<br />
to his disinheritance.<br />
<strong>The</strong> various sections that comprise the plea follow the same order in<br />
both documents, but there are stylistic variants in each. Isabell in her<br />
Supplication looks to the 'right myghty' qualities of the chancellor, while<br />
John invokes his graciousness; Isabell asks consideration of the premises,<br />
John of the fact that he is poor and fatherless. A request for a subpoena<br />
is present in the Request for Process of both bills, as is a description<br />
of its effect in the appearance of Luffyng before the chancellor and his<br />
examination, in Isabell's bill on the matter and in John's on the premises.<br />
Regardless of the difference between the bequests to each petitioner from<br />
Gye's holding, the same type of specific remedy is asked for initially:<br />
Luffyng is to pay damages to the petitioners amounting to the value of<br />
the part of the holding that they should each have had, for the period<br />
since Gye's death. Because of the untruth and deceit of the approbation<br />
of the forgery at Salisbury, Luffyng is also to pay the full value of the<br />
two messuages that John should have had, and Isabell is to be paid the<br />
value of the utensils and household furniture that should have been hers.<br />
To these requests it is added that such penalties are appropriate because<br />
Luffyng disturbed the possession of Isabell and caused the disinheritance of<br />
John.<br />
What these two bills present, then, is the activity of a single composer<br />
drafting two separate bills relative to the same general case, and the<br />
documents show clearly a person working within a variety of the canon<br />
of chancery bill form that is his own. <strong>The</strong> overall order and structure of<br />
the documents is the same, as are many of the phrases and much of the<br />
vocabulary. <strong>The</strong>re is a distinguishable and consistent style to the bills. As to<br />
the writing itself, differences in orthography and morphology between the two<br />
documents show clearly just how variable a single writer's language could be,