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A Basic Course in Anthropological Linguistics (Studies in Linguistic ...

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LANGUAGE AND REALITY 153<br />

it enters human life, tak<strong>in</strong>g on an <strong>in</strong>dependent conceptual existence <strong>in</strong> the real<br />

world, suggest<strong>in</strong>g ways to br<strong>in</strong>g about changes <strong>in</strong> and to the world. Even the<br />

nature of experimentation can be seen <strong>in</strong> this light. Experimentation is a search<br />

for connections, l<strong>in</strong>kages, associations of some sort or other. As Rom Harr6<br />

(198 1 : 23) has po<strong>in</strong>ted out, most experiments <strong>in</strong>volve “the attempt to relate the<br />

structure of th<strong>in</strong>gs, discovered <strong>in</strong> an exploratory study, to the organization this<br />

imposes on the processes go<strong>in</strong>g on <strong>in</strong> that structure.” The physicist K. C. Cole<br />

(1984: 156) similarly puts it as follows:<br />

The words we use are metaphors; they are models fashioned<br />

from familiar <strong>in</strong>gredients and nurtured with the help of fertile<br />

imag<strong>in</strong>ations. “When a physicist says an electron is hke a particle,”<br />

writes physics professor Douglas Giancoli, “he is mak<strong>in</strong>g a<br />

metaphorical comparison like the poet who says “love is like a<br />

rose.” In both images a concrete object, a rose or a particle, is<br />

used to illum<strong>in</strong>ate an abstract idea, love or electron.<br />

WRITING<br />

The relation between language, reality, and culture can also be sought <strong>in</strong> the<br />

nature and function of writ<strong>in</strong>g systems. Before the advent of alphabets, people<br />

communicated and passed on their knowledge through the spoken word. But<br />

even <strong>in</strong> early “oral cultures,” tools had been <strong>in</strong>vented for record<strong>in</strong>g and preserv<strong>in</strong>g<br />

ideas <strong>in</strong> pictographic form. So “<strong>in</strong>st<strong>in</strong>ctive” is pictography that it comes as<br />

little surprise to f<strong>in</strong>d that it has not disappeared from our own modern world,<br />

even though most of our written communication is based on the alphabet. The<br />

figures designat<strong>in</strong>g mule and female on washrooms and the no-smok<strong>in</strong>g signs<br />

found <strong>in</strong> public build<strong>in</strong>gs, to mention but two common examples, are modern-<br />

day pictographs.<br />

The earliest pictographs so far discovered were unearthed <strong>in</strong> western Asia<br />

from the Neolithic era. They are elemental shapes on clay tokens that were<br />

probably used as image-mak<strong>in</strong>g forms or moulds (Schmandt-Besserat 1978,<br />

1992). One of the first civilizations to <strong>in</strong>stitutionalize pictographic writ<strong>in</strong>g as a<br />

means of record<strong>in</strong>g ideas, keep<strong>in</strong>g track of bus<strong>in</strong>ess transactions, and<br />

transmitt<strong>in</strong>g knowledge was the ancient Ch<strong>in</strong>ese one. Accord<strong>in</strong>g to some<br />

archeological estimates, Ch<strong>in</strong>ese pictography may date as far as back the fifteenth<br />

century BC. Here are some examples of early Ch<strong>in</strong>ese pictographs:

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