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Continuity of place: actions and narratives It is clear that the beach ridges were production sites for large amounts of axe preforms. The production was extensive and preforms were transported to other places in the vicinity for further knapping. (It is not unreasonable to assume that the preforms were also transported further away, although this hypothesis will not be discussed here.) Repeated production over an exten sive time period created places which were literally scattered with preforms. The places were dynamic in the sense of transformations through different seasons. With autumn storms, preforms were washed out of eroded parts of the ridges; in winter the ridges were covered with ice and snow; come spring, the preforms were once again visible through the melting ice and snow, rain and waves; in summer the preforms became covered with sea weed and plants. Why, then, were so many preforms left at the beach ridges? Fully func tional preforms were produced, but left behind without being processed into to take as a point of departure the actual process of production. Although the production may be only one of several possible reasons for the repeated use of the sites, it is an activity that connects the use of the sites over time. cance of the production and of its organization, and the way that its various purposes and aims came to material expression, probably varied over time. However, the activity that was constant at the beach ridges in the long term was the production of axe preforms. Action, production and technology Because the point of departure in this study is production, and because pro used by people and is therefore something which joins human thought with material action (Schlanger 1994:143). Technology, i.e. the physical creation of things, is a social phenomenon. Intellectual thought is, in its action, a formu lation. The performing action is a practical thought. Intellectual thought is manifested in practical action (Schlanger 1994:143). The socially constituted thoughts which have shaped technology are manifested, in action, through the technology. This line of argument is only used here to stress the social implications of technology. The established differences between theoretical 193
Anders Högberg thoughts and practical actions (Bourdieu 1977; Broady 1989), or between but will not be further discussed here. cerning the choices of available techniques and methods for the production there is the option of choosing the most suitable for the purpose: Whilst the production of stone tools takes place within broad physical and mechanical constraints imposed by the raw material, the artisan is nevertheless capable of implementing a number of different strategies to create a particular artefact (Ed monds 1990:57 is not solely based on the evaluation of technological and methodological These needs control the choice of strategies concerning with which raw ma terial, techniques and methods the object will be made (Pelegrin 1990). As in the product and the waste material from the production. Each product is thereby the result of a chain of cultural choices in relation to function, tech nology and requirements. Each product and the handling of each product is product gives a clue to the understanding of the many decisions that created its shape and use (Högberg 2001a, 2001b). Action is essential in technology. Through the study of actions it is pos sible to approach the culturally conditioned choices which have created the prerequisites for the production of various objects. Therefore it is important technology and action. Axe preforms and chaîne opératoire Technological studies of complex forms of production in which action has that specialized production is based on strategies that include several stages 194
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Skilled Production and Social Repro
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Contents Acknowledgements .........
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Kim Akerman High tech-low tech: lit
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Authors Kim Akerman 4 Dorset St Moo
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Introduction
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Jan Apel and Kjel Knutsson command
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Jan Apel and Kjel Knutsson Fig. 1.
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Jan Apel and Kjel Knutsson It was i
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Jan Apel and Kjel Knutsson how this
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Jan Apel and Kjel Knutsson dimensi
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Jan Apel and Kjel Knutsson ties. Ex
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Jan Apel and Kjel Knutsson valuable
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Marcia-Anne Dobres Fig. 1. Dominant
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• knowledge and know how Marcia-A
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Marcia-Anne Dobres Because material
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Marcia-Anne Dobres “theoretical
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Chapter 1 Experiments and Experienc
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Jacques Pelegrin et al. 1975, Kelt
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Jacques Pelegrin from a comparative
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Jacques Pelegrin Morphological char
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Jacques Pelegrin Fig. 2. Top: 4 rep
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Jacques Pelegrin 46
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Archaeological results Jacques Pele
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Jacques Pelegrin In one of the rich
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Jacques Pelegrin 52 Fig. 6. Blades
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Jacques Pelegrin length of 34.5 cm.
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Jacques Pelegrin The large blades f
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Jacques Pelegrin Large blades found
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Jacques Pelegrin a slightly concave
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Jacques Pelegrin panding in the dis
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Jacques Pelegrin piqueteur”; Gesl
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Jacques Pelegrin in prep.). It is
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Jacques Pelegrin pressure blades pr
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Hugo Nami core preparation was us
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Hugo Nami on the leg (Fig. 3a, 4a)
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Hugo Nami kes resulting in the Firs
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Hugo Nami During the entire core re
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Hugo Nami this reason, some archaeo
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Hugo Nami nodule morphology, mate
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Greg R. Nunn Archaeological evidenc
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Prior research Greg R. Nunn Prior r
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Greg R. Nunn Type 1C Attribute Tabl
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Type 1C Attribute Table Table 7. Da
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Greg R. Nunn Figure 6. Holding posi
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Greg R. Nunn 92 Figure 9. (a) Ishi
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Overview Greg R. Nunn The knapper m
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Greg R. Nunn explained in stage f
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Greg R. Nunn Sandstone slabs were p
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Greg R. Nunn the preform will need
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Greg R. Nunn if one pushes too har
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Greg R. Nunn 104 Figure 18. Stage s
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Greg R. Nunn of 5 cm, and the grea
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Greg R. Nunn apprentices. In additi
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Figure 24. Original Type 1C ground
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Greg R. Nunn After the handle and r
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Apel, J. & Knutsson, K., 2006. Skil
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Figure 3. Replica of Type I-C dagge
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Figure 9. The infamous Skatelöv da
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Figure 14. Original Stage 4 Seconda
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Neolithic Danish Daggers: an experi
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Figure 28. Side view of same prefor
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Figure 34. Finished Stage 5 Final P
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Figure 48. Author grinding dagger r
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Notes Neolithic Danish Daggers: an
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Hugo Nami Archaeological background
Page 143 and 144: Experimental study Hugo Nami Most
Page 145 and 146: Stage 1. Obtaining the blank Hugo N
Page 147 and 148: Figure 8. Stage 2 made on a tabular
Page 149 and 150: Hugo Nami the platforms by formin
Page 151 and 152: Final considerations Hugo Nami I co
Page 154 and 155: Apel, J. & Knutsson, K., 2006. Skil
Page 156 and 157: Figure 1. The archaeologist under a
Page 158 and 159: A genealogy of reflexivity: the ski
Page 190 and 191: Continuity of place: actions and na
Page 202 and 203: Ritual deposits Continuity of place
Page 210 and 211: Skill and experimental archaeology
Page 216 and 217: Figure 4. Relationship between theo
Page 222 and 223: Knowledge and know-how in the Oldow
Page 230 and 231: Cores Knowledge and know-how in the
Page 240 and 241: Discussion Knowledge and know-how i
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Knowledge and know-how in the Oldow
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Tuija Rankama, Mikael A. Manninen,
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Conclusion Tuija Rankama, Mikael A.
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Skill and the question of blade cra
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Mikkel Sørensen perspective A lit
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Mikkel Sørensen regular and irregu
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Mikkel Sørensen The new dynamic te
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Mikkel Sørensen within the last ph
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Mikkel Sørensen blades are, du
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Mikkel Sørensen included removals
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Mikkel Sørensen to this, this auth
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Mikkel Sørensen Explaining the tec
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Mikkel Sørensen historic events an
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Acknowledgements Mikkel Sørensen T
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Manifesting microliths: insights an
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Some remarks on contacts between La
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Kim Akerman recognise six or seven
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Kim Akerman Antiquity of human occu
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Kim Akerman head and lashing the t
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Kim Akerman Jarung and ilera were c
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Kim Akerman describe margin tre
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Kim Akerman es) would bring herds
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Kim Akerman lashing the stone elem
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Kim Akerman calyptus trees. Once th
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Kim Akerman end protrudes to form a
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Kim Akerman tural factors that ensu
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Kim Akerman more obtuse than the
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Kim Akerman in the paper. L-R: sil
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Per Falkenström • Implications w
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Per Falkenström 1987:68). Other f
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Per Falkenström amounts of stone,
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Per Falkenström Raw materials and
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Per Falkenström Similar to in sout
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Per Falkenström such as kinship
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Ground stone hammer axes in Sweden
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Witold Migal 1983) (Figs. 6, 7) and
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Witold Migal Figure 4. Core from th
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Witold Migal is a 42 cm long core w
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Witold Migal Figure 7b. One core fo
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Witold Migal with a wooden pole lev
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Witold Migal Among others, Russian
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Kim Darmark 63f.). However, the pre
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Kim Darmark The amount of splinter
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100% 80% 60% 40% 20% 0% 49 10 13 27
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Kim Darmark hammerstones retain a r
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Kim Darmark Jettböle differs from
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Skilled production and Social Repro
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