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Continuity of place: actions and narratives<br />

of production. These stages are all performed within the framework of what<br />

is available to allow action to take place. By studying actions it is possible to<br />

<br />

study action, technology, tool production and the handling of tools is by way<br />

of chaîne opératoire (Inizan et al. 1992; van der Leeuw 1994; Eriksen 2000).<br />

Technology and action are intimately connected to the result of actions,<br />

i.e., the material culture. It is through the objects that the possibility to in<br />

<br />

the axe preforms from the beach ridges in order to investigate how a chaîne<br />

opératoire for these objects may be analysed. First, however, we must take a<br />

look at the premises for a general chaîne opératoire for production for Scandi<br />

<br />

<br />

from its production. Flint knapper Thorbjørn Petersen. Photo by Anders<br />

Högberg.<br />

The various steps in axe production have been thoroughly investigated in<br />

several studies (Arnold 1981a, 1981b; Hansen & Madsen 1983; Olausson<br />

1983a, 1983b; Madsen 1984; Nordquist 1988, 1991; Knarrström 1997; Hög<br />

<br />

different stages, with the accomplishment of each stage being dependent<br />

upon the results of the preceding one (Fig. 8).<br />

195

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