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The evil eye. An account of this ancient and wide spread superstition

The evil eye. An account of this ancient and wide spread superstition

The evil eye. An account of this ancient and wide spread superstition

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Ii8 THE EVIL EYE chap.<br />

sentation, more or less allegorical, <strong>of</strong> some person<br />

or attribute personified ; <strong>and</strong><br />

in the end, by the<br />

same process <strong>of</strong> repetition, the emblem became con-<br />

ventionalised like the symbol, so that certain repre-<br />

sentations always conv<strong>eye</strong>d to the beholder the idea<br />

<strong>of</strong> a certain fact or event, or <strong>of</strong> some being, or<br />

with <strong>this</strong> difference, that the emblem<br />

personification ;<br />

expressed more fully <strong>and</strong> distinctly, while the symbol<br />

only hinted at the idea conv<strong>eye</strong>d.^^* To make what<br />

we mean more clear, the crucifix is an emblem, a<br />

dramatic representation <strong>of</strong> a great event, carrying<br />

with it all its history <strong>and</strong> consequences, while the<br />

simple cross is a symbol no less expressive, but yet<br />

conveying by a mere hint all the history, all the<br />

doctrine, all the significance, <strong>of</strong> the more elaborate<br />

representation.<br />

Justice, again, as an emblem is represented as a<br />

blindfolded female figure, holding the sword <strong>of</strong><br />

punishment in one h<strong>and</strong>, with the balance <strong>of</strong> judgment<br />

in the other. As a symbol <strong>of</strong> justice, either the<br />

sword, or the balance alone, conveys the idea, though<br />

in a more abstract form. Victory, too, has for her<br />

emblem a winged female figure holding a wreath or<br />

a palm branch, while the syjubol <strong>of</strong> victory is the<br />

wreath or the palm alone.<br />

It will be readily understood how a symbol may<br />

be easily developed from an actual pictorial emblem,<br />

into a mere description, either spoken or by gesture<br />

acted, so as to convey the same idea. Thus when<br />

the h<strong>and</strong> is raised in the act <strong>of</strong> benediction, the three<br />

184 '^Emhlema licet cum isto Knigmatum genere in ratione symboli conveniat,<br />

differt tamen, quod rem sublatis tenigmatum velis purius liquidiusque proponat.<br />

Est enim proprie symbolum aliquod ingeniosum, suave, et moratum,<br />

ex pictura et lemmate constans, quo aliqua gravior sententia indicari solet."<br />

De symbolica ALg}'pt07-Hvi sapientia. Nicolaus Caussinus. Colonic, 1623,<br />

p. 17.<br />

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