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The evil eye. An account of this ancient and wide spread superstition

The evil eye. An account of this ancient and wide spread superstition

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vr ROME TO ASHANTEE 215<br />

to the crescents <strong>and</strong> horns we have been describing,<br />

when we find them in use among the negro savages<br />

<strong>of</strong> Ashantee ? Fi<strong>of</strong>. 88 shows three iron st<strong>and</strong>ards <strong>of</strong><br />

native make, now to be seen in<br />

the Museum at Taunton. <strong>The</strong>y<br />

are from 20 to 23 inches in length,<br />

<strong>and</strong> by no means badly forged.<br />

<strong>The</strong>y were brought from the west<br />

coast <strong>of</strong> Africa, where they are<br />

used to stick into the ground " to<br />

protect the crop sown from <strong>evil</strong><br />

spirits," or, in other words, from<br />

the witchcraft <strong>of</strong> possessors <strong>of</strong><br />

the <strong>evil</strong> <strong>eye</strong>.<br />

In these objects the crescent<br />

surmounts the disc instead <strong>of</strong> enclosing<br />

it, just as it does in many<br />

examples <strong>of</strong> the insignia <strong>of</strong>Roman<br />

legions ; <strong>and</strong> we cannot fail to<br />

be struck with the remarkable coincidence. One <strong>of</strong><br />

the crescents has a prolongation <strong>of</strong> the stem ending<br />

in a flat surface, which we suggest may represent<br />

the head <strong>of</strong> the moon-goddess ; <strong>and</strong> allowing for<br />

difference <strong>of</strong> treatment, <strong>and</strong> the separation <strong>of</strong> unknown<br />

ages in time,^^^ very remarkably preserves<br />

the same old notion, typified by the neck <strong>and</strong> head<br />

starting out <strong>of</strong> the crescent, <strong>of</strong> the terra-cotta figures<br />

from Mycenae, now in the Athens Museum (see<br />

Fig. 68).<br />

^^ Schliemann says {Mycena, p. 69) : " <strong>The</strong>re is also a human head painted<br />

on a fragment <strong>of</strong> pottery; it has a very large <strong>eye</strong>, <strong>and</strong> a head-dress in the form<br />

<strong>of</strong> a Phrygian cap. " Also (p. 71) : " I have been able to gather here more than<br />

200 terra-cotta idols <strong>of</strong> Hera, more or less broken." "<strong>The</strong> head <strong>of</strong> those<br />

idols is <strong>of</strong> a very compressed shape . . . the lower part is in the form <strong>of</strong> a<br />

gradually <strong>wide</strong>ning tube. " To <strong>this</strong> may be added that one <strong>of</strong> those sketched<br />

by the writer is <strong>wide</strong>ned out so as to form a distinct st<strong>and</strong>, <strong>and</strong> perhaps to in-<br />

dicate female drapery.<br />

Fig.<br />

\

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