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The evil eye. An account of this ancient and wide spread superstition

The evil eye. An account of this ancient and wide spread superstition

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242<br />

- THE EVIL EYE chap.<br />

Collegio Romano, <strong>of</strong> Cortona, <strong>of</strong> Bologna, <strong>and</strong> prob-<br />

ably elsewhere. <strong>The</strong>y are described as belonging<br />

"to the first age <strong>of</strong> iron," a period <strong>of</strong> extreme anti-<br />

quity. <strong>The</strong> <strong>eye</strong>lets for suspension show that these<br />

objects were intended to be worn. <strong>The</strong>y are mere<br />

pieces <strong>of</strong> bronze plate cut into the shapes, <strong>and</strong> about<br />

the sizes here drawn— perhaps a little larger. It is<br />

not easy to measure an article in a glass case. Fig.<br />

loo has two h<strong>and</strong>s remaining out <strong>of</strong> four which<br />

originally hung upon the same triangle. Whether<br />

or not the triangle represented anything more than<br />

a convenient shape for the suspender we can-<br />

not now decide — probably it did ; but the fact<br />

<strong>of</strong> finding four h<strong>and</strong>s combined shows that already<br />

in those days, 500 to 1000 B.C., there was a tend-<br />

ency to pile up amulets by way <strong>of</strong> adding to their<br />

power.<br />

Among all these very early h<strong>and</strong> amulets, in onlyone<br />

is any particular gesture de-<br />

picted. All the rest have the<br />

mere open palm <strong>and</strong> extended<br />

fingers ; but as skill improved, we<br />

100<br />

find attempts more or less successful<br />

to represent the h<strong>and</strong> in definite<br />

positions or gestures. Fie^. 102 is<br />

Fig. 102.<br />

decidedly <strong>of</strong> much later work than<br />

the others, though exhibited at Bologna in the same<br />

case with the others.<br />

In the Ashmolean Museum are many examples<br />

<strong>of</strong> the open h<strong>and</strong>, in blue pottery, showing piercings<br />

or h<strong>and</strong>le attachments for suspension as amulets. 384<br />

354 Jahn, Aberghmben, etc., frequently uses <strong>this</strong> argument as a pro<strong>of</strong> that<br />

the objects he is speaking <strong>of</strong> were used as amulets, e.g. p. 47, <strong>of</strong> a female<br />

figure with the h<strong>and</strong> on the mouth he says :<br />

Henkel als Amulete ausweisen.''<br />

" Die sich zum <strong>The</strong>il durch den

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