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Provisional Drogereit pdf

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(p. 397) C. S. 791: “…cum omnibus utensilibus quae Deus caelorum in ipsa telluris<br />

gramine creavit…”<br />

In the following charter, which introduces a new Dispositive section, Eadgar A uses<br />

old models for the last time. The tradition “in aeternam tribuo (see Ae. A)<br />

possessionem” can be traced back to Eadmund C’s Type II with its<br />

“aeternam…possessionem”, and with its “tribuo” to Ae. A. Once again we notice the<br />

influence of these two scribes who had already had an impact on him. The term<br />

“quandam telluris particulam” also points to Ae. A.<br />

As the land in this charter is not described any differently from that in his other<br />

charters, we are unable to establish whether the Dispositive section varies so much<br />

because of the different legal quality of the land. We assume that it was a case of<br />

simply trying out a different formulation.<br />

With the next original he reverts to the second version, but suppressing the wording<br />

there taken over from Eadmund C, so that Eadgar A now has a diplomatic all of his<br />

own. This diplomatic now remains consistent, with hardly a word being changed.<br />

Only the Proem changes once more. He uses both Proems alternately. We encounter<br />

them up until 963, then they both disappear. Since that year every charter that is<br />

completely in line with his format after the royal style, has a different Proem – and<br />

there is a considerable number of such cartulary copies. After that there were also<br />

several abbots regularly acting as witnesses. Aethelwold, who up to that point was the<br />

only abbot to sign charters, was appointed bishop at the end of November 963, then<br />

beginning his reform work.<br />

We will now analyse C. S. 1083 from the royal style.<br />

Eadgar A begins his charter with the familiar, new pictorial invocation the Labarum.<br />

A verbal invocation follows, which is merged with the Proem. He indicates this by<br />

using no punctuation between the two sets of wording.<br />

The Proem stands out by its exceptional lucidity and comprehensibility. Eadgar A<br />

constructs these simply, without any embellishment or complex ablative structures.<br />

This gives the impression of the spoken word, and particularly with the ending “…et<br />

relinqua.”<br />

Eadgar A uses three Proems, all being placed at the beginning of a word starting with<br />

“a”. Although we can call this a coincidence, it would certainly have been intentional<br />

here. The last two Proems also have the rare word “recidivus” in common. The start<br />

of all three read:<br />

1. “Almus totius cosmi…”<br />

in C. S. 1066; 1082.<br />

397

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