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116 GREGORIAN CHANT<br />

occurs it is definitely post-classical and not always very fortunate, as<br />

may be seen in the case of the Communio 'Factus est repente' of<br />

Whitsunday, adapted in the thirteenth century to the 'Quotiescumque'<br />

of Corpus ChristL In the Introit the first and third modes are the<br />

most frequent, in the Communio (the shortest chant of the Mass) the<br />

first and eighth:<br />

Ex.38 (a) 1<br />

m Introit .<br />

Exsur-ge, quare obdormis Domine? exsur- ge, et ne repellas in fi-nem: quare<br />

faciemtu-amavertis.obli-vi.sceristribulati-o.nem nostram? Ad-hae-sit in ter ra<br />

venter nosten exsurge, Domine, ad juvanos.et li-be-ra nos. fs. Deus, auribus<br />

It s-<br />

nostris audivimus: patres nostri annuntUa-verunt no-bis. Gloria Patri.<br />

C.A<br />

u o u a e.<br />

Ex - sur qua<br />

Ex- sur- - ge, et ne re - pel<br />

fi - nem: qua -<br />

- re ob-dor - mis Do - mi-ne?<br />

- las in<br />

r$ fa - ci - em tu - am a ver - tis,<br />

ob - li - vi see - ris tri - bu - la - ti - o<br />

1 Graduate Vaticanum, p. 61.

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