02.07.2013 Views

Untitled

Untitled

Untitled

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

LATIN SECULAR SONGS 221<br />

nizable as that of the hymn c<br />

Ut queant laxis *. The other is a love-song<br />

C<br />

addressed to a boy, O admirabile Veneris idolum', which appears to<br />

have been written in Verona, possibly in the tenth century. We have<br />

three sources for the tune. In the Cambridge song-book it is noted in<br />

neums; 1 in a manuscript at the Vatican 2 the words *O admirabile<br />

Veneris idolum' appear on the same page as the pilgrim song 'O<br />

Roma nobilis', which is in the same rhythm and is provided with a<br />

melody in heighted neums ; while in a manuscript preserved at Monte<br />

Cassino 3 *O Roma nobilis' occurs by itself with the same melody<br />

exactly noted in solmization letters. The last two of these sources<br />

agree in all essentials. Both end with an ornamented cadence which<br />

appears in a simpler form in the neumatic notation of the Cambridge<br />

song-book. A comparison of the three sources makes possible the<br />

following transcription of the Cambridge version:<br />

I<br />

Ex. 86*<br />

p r y ir~r Mr g r<br />

O ad - mi - ra - bi - le<br />

Cu - jus ma - te - ri - ae<br />

Ar-chos te pro - te - gat<br />

Fe - cit et ma - ri - a<br />

Jl iL<br />

Ve - ne - ris i - do - lum,<br />

ni - hil est fri - vo - qui stel-las<br />

con - di - dit<br />

et .<br />

et<br />

- po<br />

so -<br />

lum,<br />

lum<br />

lum.<br />

(O lovely image of Venus, in whom there is no blemish, may the Lord who<br />

made the stars and the heavens and fashioned the seas and the earth protect<br />

thee; may no thievish cunning ever come nigh thee, and may Qotho who bears<br />

the distaff love thee.)<br />

The rhythm of the words is dactylic, but a trochaic interpretation<br />

serais to suit the tune better. Hie melody, it will be noted, is in the<br />

major mode, of which we shall find plenty of examples in troubadour<br />

and trouvere songs.<br />

The Latin secular songs of the Middle Ages are not whoEy frivo<br />

lous. A large number of them, without being specifically religious,<br />

1<br />

Cambridge, Univ. lib. Gg. v, 35, fo. 441 T ; facsimile in Breel, op. cit, facing p. 22.<br />

1<br />

Vatican, 3327; facsimile in L. Tranbe, *O Roma nobOis*, in Abhandhmgen der<br />

pintosapHsck-pkfohgischen Classe der komglich Bayerischen Akaderme der Wissenr<br />

schaften, xix, 2 (1891X pp. 299-309.<br />

1<br />

Monte Cassino, Q 318, fo. 291; printed in J. Wolf, HawUwch der Notationskwde, i<br />

(Leipzig, 1913), p, 5$.<br />

4<br />

Recorded in The ffistmy ofMime ii side 9.<br />

mSowd(K.M.V.)t

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!