02.07.2013 Views

Untitled

Untitled

Untitled

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

324<br />

Modes<br />

Modes<br />

MUSIC IN FIXED RHYTHM<br />

^=^f 4 r n r<br />

fl r r<br />

u, J'Ji^<br />

i<br />

r mJ,J' i'i 1<br />

'<br />

'i' i<br />

The conjunctura is a falling group, usually of four notes when in the<br />

upper part (Ex. 166), sometimes of five : (Ex. 167) but in the cadences<br />

there are often six, seven, eight, nine, or even more notes. This caden-<br />

tial occurrence, or copula as it is sometimes called, is so frequent in<br />

some manuscripts as to appear a cliche. The theorists and the test<br />

of concordance in the manuscripts supports them tell us that the<br />

last note of a conjunctura is equivalent to the sum of the time-values<br />

of the others. This is true of a conjunctura of four or five notes run<br />

ning in the text, but it needs modification in the case of some of the<br />

cadential forms employed. Ex. 168 is a cadence used dozens of times<br />

in Wolfenbiittel 677. Ex. 172 is a good instance of the actual use of<br />

the conjunctura in a composition of the period:<br />

Ex. 166<br />

Ex. I68 1<br />

Ex. 167<br />

Wolfenbuttel 677, fo. 125\<br />

1<br />

1<br />

1|<br />

i

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!