422 INDEX England, Medieval song in, 250-2. English descant, 343, 350-2, mensural notation, 368, 369. motet parts in, 374. use of, 347. Ephraem, 8, 21. Epiphaniam Domino, 154, 156-8. Epiphany plays, 198-204. Episemata (rhythmical signs), 103, 104. Epistolarium, 37. Eriugena, see Johannes. Ernoul le Vieux, 247. Estampida, estampie, 149, 226. Et confitebor, 398. Et in fines, 349. Ethelwold of Winchester, 180. Etheria, 7, 81. Ethiopian music, 47-50. Eugenius (of Milan), 62. Eugenius n, Pope, 100. Eugenius of Toledo, 83, 84. Euphemesis, 34. Evangeliaria, 37. Evesham, 315, 401. Evovae, 67. Ex Adae vitio, 173. Ex semine Abrahae, 356-8. Exiit sermo, 361. Exsultet, 113. Exsurge, quare obdormis, 116. Ez ist hiute eyn wunnychlicher tac, 254. *H irapBevos cnj/iepov, 22. Factus est repente, 67, 116. Fauvel, Roman de, 246, 380, 391, 392. Fauxbourdon, 350. Fayrfax, Robert, 353. Feast of Fools, 360. F&rotin, Dom M., 7 n 2 . Ferretti, Dom Paolo, 80 n 1 , 90, 98, 105, 110, 112. F&is, F.-J., 48, 49 n 3 . Ficker, Rudolf von, 328. Fifth, see Intervals. Fioriture, 17, 30, 32, 55. Flagellants, 267. Fleischer, Oskar, 13, 37, 40, 103. Fleury (play-book), 184-6, 188, 189, 192, 193, 202-11. Flosfilius ejus, 359. Flos regalis, 375. Fly-leaves, music preserved in, see Bind ings. Folk-song, 12, 14, 46, 53, 57, 227, 261. Form, Gregorian, 112. Fortunatus, Venantius, see Venantius. Four-part writing, 353, 359, 360, 395-7. Fourth, interval of, in early harmony, 279, 329; see also Intervals. Foweles in pe frith, 343. Fox Strangways, A. H., 372. Fractio panis, 79. France, Gregorian chant in, 100; see also Gallican chant. Franco of Cologne, 379. Fraude caeca desolato, 336. Frauenlob, 257, 258. Freising (play), 203, 204. French enters Latin polyphony, 348, 349, 355, 373. text in liturgical drama, 212, 213. used in England, 347. Frere, Walter Howard, 90 n3 , 105, 154 n1 , 280 n2 371 n , 1 , 389. Frumentius, St., 47. Fulda, 100. Fux, 313. Gace Brute, 230, 237, 238. Gaire not dormet, 212. Gaisser, Dom H., 27 n 3 . Gaite de la tor, 242. Gajard, Dom, 60, 105. Galician song, 261. Gallican chant, 59, 60, 72-81, 97, 130, 138, 141. Gammurini, J. F., 7 n 2 . Gamut, 292. Garland, John of, 340, 371, 372. Gastoue", Ame"d6e, 38, 78 n 1 , 79 n 1 , 83, 105, 138 nn 1 - \ 149 n 2 , 153, 274, 276. Gatard, Dom Augustin, 274 n 1 . Gaude per quam cornu David, 386. Gautier d'fipinal, 239. Gautier de Coinci, 261, 267. Gautier, Le"on, 128, 130. Geisslerlieder, 267. Gelasius, Pope, 96. Gemellus, see Gymel. Genesis am neun und zwanzigsten, 259. Germadius, 73. Gennrich, F., 222 nn2 > 6 223 , n1 , 237 n2 , 241 n2 , 243 nn2-8 244 n , 3 , 246 nn1 ' 2 ' 4 - B , 249 nn1 ' 8 , 250 nn1 ' 2 256 , n1 . Gerald de Barri, 315-17. Gerbert, M., 147 nn*' fl , 152 n1 , 160 n5 , 271 nn1-3 , 277 n3 , 280 n1 , 290 n2 . German, early texts in, 188, 194, 195. Germany, Gregorian chant in, 100. Ge"rold, T., 50 n 1 , 229 n 1 , 249 n 3 . Geyer, P., 7 n 2 . Giraldus Cambrensis, 315-17. Gleason, Harold, 392. Glinka, 54. Gloria in excelsis, 80, 85, 86, 127, 167-70, 228, 281, 310, 374. Gloria laus et honor, 101, 272. Glykys, John, 30.
Gnostics, 8. Godric, St., 251. Goliards, 220. Gombosi, Otto, 42 n2 . Gradual, Ambrosian, 67. Galilean, 76. Gregorian, 111, 112, 119-21, 125, 129ff., 354, 359-67. Graham, Rose, 315 n2 . Grainger, Percy, 335. Greek language in Western music, 150, 152, 280. Greek music, ancient, 4, 14, 42, 43, 290. church, see Byzantine. INDEX Greene, H. C, 321 n2 . Gregis pastor Tityrus, 301. Gregorian chant, 18, 53, 60, 69, 92-127, 225, 237, 256, 259-61, 265, 267, 268, 286, 317, 344. Gregory I (the Great), Pope, 96-99, 106, 108, 114, 123, 126, 140, 149. Gregory VII, Pope, 91. Gregory of Tours, St., 74, 76. Gregory the Illuminator, 50. Gregory the Theologian, Liturgy of, 46. Grocheo, Johannes de, 109, 110, 223, 226-9, 231, 240 n1 , 244, 245, 249. Grottaferrata, 17, 30. Gu6ranger, Dom Prosper, 102, 103, 105. Guerard, B. E. C, 317 n 3 , 360 nn 2 ' 3 - 6 > Guido of Arezzo, 101, 279-81, 290-2. Guidonian notation, 64, 290, 291. Guillaume of Aquitaine, 224. Guillaume le Vinier, 246. Guiot de Dijon, 234. Gustate et videte, 87. Gymel, 272, 341-3. Ha! me nonfat chantar, 235. Haddan, A. W., 148 n1 . Hadrian I, Pope, 99, 100. Haecdies,64, 119. Hale, Halle, Adam de la, see Adam. Hallelujah. Puer natus est, 61. Hamilton, N.E.S.A., 152 n 2 . Hanc concordi famulatu, 154-6. Handlo, Robertus de, 227 n 2 , 339 n 1 , 341 n*. Handschin, Jacques, ' fl . 33 nn1 s , 272 n2 , 280 n2 281 n , 1 , 289, 369 n1 400 n , 1 , 402 na . Harmony, 111, 177, 387-90; Chords, Polyphony, Progressions. Harp, 151, 217, 228. Harrowing of Hell, 188. Hawkins, John, 402. Hebrides, 259, 319. Heiming, O., 9 n 6 . see also Heinrich von Meissen, 258. Heirmologion, 27, 43, 44, 56. Heirmos, 20, 23, 25, 27, 28, 43, 56. Heisenberg, A., 43 n 2 . Heraclius, 15. Hereford, 315, 327 n 3 . Hermannus Contractus, 100. Herod (in liturgical drama), 198-205. Herras of Hohenburg, 333 n 1 . Hesbert, Dom Jean, 139 n 4 . Heu plus pastor occidit, 186. Hexachord, 292-3. Hie est discipulus, 124. Hie Martinus pauper, 397 n1 . Hie vz2r eyn werder ritter, 260. Hilarius, 206, 207, 209, 214. Hilary of Poitiers, St., 95. Hilka, A., 222 n3 . Ho kyrios ebasileusen, 140, Hocket, 315, 397-9. Hodie antiphons, 97. Hodiernae lux diei, 388. Hogg, Carsten, 3 n1 10 n , 3 , 35 n2 , 47 n1 . Holy-week music, 104, 370. Homophony, 296. Honorius, Pope, 98. Horn, 33. Hostis Herodes impie, 396. Hoti theos, 140. 423 36, Houdard, Georges, 103. Hrabanus Maurus, see Rabanus. Hroswitha, 219. Hucbald of St. 276-9. Amand, 101, 147, 272, Hunt, A. S., 4 n 1 . Huon de Mery, 229 n 1 . Huon d'Oisy, 233, 234. Hussey, J., 30 n1 . Hfizaja, Joseph, 10,11. HYMNODY, hymns: Ambrosian, 59, 60, 68, 69. Byzantine, 16-32. Gallican, 80. Gregorian, 112. in earliest centuries, 2-5, 58. Manichean, 11-13. Mozarabic, 89. Polyphonic, 396, 397. Iambic rhythm, 319. Ich seize minen vuz, 255. Iconoclasts, 15, 16, 22, 27, 29. Idelsohn, A. Z., 5 n1 . Idiomelon, 20, 25. Illatio, 78, 82. Imitation, 302, 358, 374-7, 384. Immolatio, 78. Improvisation, 328.
- Page 2 and 3:
780.9 N532 v.2 5^5385 780.9 1532 T2
- Page 7 and 8:
NEW OXFORD HISTORY OF MUSIC VOLUME
- Page 10 and 11:
SACRED AND PROFANE MUSIC (St. John'
- Page 12 and 13:
Oxford University Press, Amen House
- Page 14 and 15:
vi GENERAL INTRODUCTION music is no
- Page 17 and 18:
CONTENTS GENERAL INTRODUCTION V INT
- Page 19 and 20:
CONTENTS xi The Easter Sepulchre Dr
- Page 21:
ILLUSTRATIONS SACRED AND PROFANE MU
- Page 24 and 25:
xvi INTRODUCTION TO VOLUME II indee
- Page 26 and 27:
xviii INTRODUCTION TO VOLUME II Cor
- Page 28 and 29:
2 EARLY CHRISTIAN MUSIC so that the
- Page 30 and 31:
4 EARLY CHRISTIAN MUSIC c. 430); bu
- Page 32 and 33:
6 EARLY CHRISTIAN MUSIC liturgical
- Page 34 and 35:
8 EARLY CHRISTIAN MUSIC (Assyrians)
- Page 36 and 37:
10 EARLY CHRISTIAN MUSIC The Syriac
- Page 38 and 39:
12 EARLY CHRISTIAN MUSIC hymns were
- Page 40 and 41:
II (a) MUSIC OF THE EASTERN CHURCHE
- Page 42 and 43:
16 MUSIC OF THE EASTERN CHURCHES th
- Page 44 and 45:
18 MUSIC OF THE EASTERN CHURCHES st
- Page 46 and 47:
20 MUSIC OF THE EASTERN CHURCHES Ch
- Page 48 and 49:
22 MUSIC OF THE EASTERN CHURCHES ro
- Page 50 and 51:
24 MUSIC OF THE EASTERN CHURCHES mo
- Page 52 and 53:
26 MUSIC OF THE EASTERN CHURCHES (M
- Page 54 and 55:
28 MUSIC OF THE EASTERN CHURCHES Th
- Page 56 and 57:
30 MUSIC OF THE EASTERN CHURCHES tw
- Page 58 and 59:
32 MUSIC OF THE EASTERN CHURCHES O)
- Page 60 and 61:
34 MUSIC OF THE EASTERN CHURCHES We
- Page 62 and 63:
36 MUSIC OF THE EASTERN CHURCHES Ow
- Page 64 and 65:
38 MUSIC OF THE EASTERN CHURCHES Th
- Page 66 and 67:
40 MUSIC OF THE EASTERN CHURCHES Th
- Page 68 and 69:
42 MUSIC OF THE EASTERN CHURCHES Mo
- Page 70 and 71:
44 MUSIC OF THE EASTERN CHURCHES of
- Page 72 and 73:
46 MUSIC OF THE EASTERN CHURCHES Mo
- Page 74 and 75:
48 MUSIC OF THE EASTERN CHURCHES we
- Page 77 and 78:
ETHIOPIAN MUSIC 49 tion where they
- Page 79 and 80:
ARMENIAN MUSIC 51 Armenian liturgy
- Page 81:
AN ARMENIAN HYMN BOOK WITH NEUMS Wr
- Page 84 and 85:
54 RUSSIAN CHANT it is therefore im
- Page 87 and 88:
DEVELOPMENT AND DECLINE 55 them the
- Page 89 and 90:
MANNER OF PERFORMANCE MANNER OF PER
- Page 91 and 92:
EARLIEST TRACES 59 used to pray and
- Page 93 and 94:
AMBROSIAN CHANT 61 other hand, Pete
- Page 95 and 96:
AMBROSIAN CHANT 63 contains the par
- Page 97 and 98:
; AMBROSIAN CHANT /Con-fi-te mUni D
- Page 99 and 100:
Ex. 17 (b) Antiphon AMBROSIAN CHANT
- Page 101 and 102:
AMBROSIAN CHANT 69 Lae- tis ca-na-m
- Page 103 and 104:
AMBROSIAN CHANT 71 antiphon, Sunol
- Page 105 and 106:
GALLICAN CHANT 73 was divided, litu
- Page 107 and 108:
GALLICAN CHANT 75 serving as a star
- Page 109 and 110:
GALLICAN CHANT 77 phons, which were
- Page 111 and 112:
GALLICAN CHANT 79 10. Antiphon of t
- Page 113 and 114:
GALLICAN CHANT 81 with the oriental
- Page 115 and 116:
MOZARABIC CHANT 83 (Our Father, who
- Page 117 and 118:
E Ex. 31 (b) MOZARABIC CHANT 85 te
- Page 119 and 120:
MOZARABIC CHANT 87 parce', &c.). Th
- Page 121 and 122:
Dei unigenitum, et ex Patre natum E
- Page 123 and 124:
MOZARABIC CHANT 91 to its close rel
- Page 125 and 126:
MUSICAL VALUE AND PRINCIPAL FEATURE
- Page 127 and 128:
FORMATION OF ROMAN LITURGICAL CHANT
- Page 129 and 130:
PERFECTION OF GREGORIAN CHANT 97 ve
- Page 131 and 132:
PERFECTION OF GREGORIAN CHANT 99 to
- Page 133 and 134:
DIFFUSION AND DECAY 101 its metrica
- Page 135 and 136:
MODERN RESTORATION 103 chief work o
- Page 137 and 138:
MODERN RESTORATION 105 of the Gradu
- Page 139 and 140:
SOURCES AND NOTATION 107 read, a si
- Page 142 and 143:
FAMILIES OF NEUMATIC NOTATIONS 1. N
- Page 144 and 145:
110 GREGORIAN CHANT as the forerunn
- Page 146 and 147:
112 GREGORIAN CHANT Final Range Dom
- Page 148 and 149:
114 GREGORIAN CHANT artistic resour
- Page 150 and 151:
116 GREGORIAN CHANT occurs it is de
- Page 152 and 153:
118 GREGORIAN CHANT o su - os, no l
- Page 154 and 155:
120 GREGORIAN CHANT florid, retains
- Page 156 and 157:
122 GREGORIAN CHANT r, %. a , me -
- Page 158 and 159:
124 GREGORIAN CHANT jubilus, or flo
- Page 160 and 161:
126 GREGORIAN CHANT etbe-ne-di- ctu
- Page 162 and 163:
V TROPE, SEQUENCE, AND CONDUCTUS TE
- Page 164 and 165:
130 TROPE, SEQUENCE, AND CONDUCTUS
- Page 166 and 167:
132 TROPE, SEQUENCE, AND CONDUCTUS
- Page 168 and 169:
134 TROPE, SEQUENCE, AND CONDUCTUS
- Page 170 and 171:
136 TROPE, SEQUENCE, AND CONDUCTUS
- Page 172 and 173:
138 TROPE, SEQUENCE, AND CONDUCTUS
- Page 174 and 175:
140 TROPE, SEQUENCE, AND CONDUCTUS
- Page 176 and 177:
142 TROPE, SEQUENCE, AND CONDUCTUS
- Page 178 and 179:
Ex. 47 contd. (Repetendd? et im - p
- Page 180 and 181:
146 TROPE, SEQUENCE, AND CONDUCTUS
- Page 182 and 183:
148 TROPE, SEQUENCE, AND CONDUCTUS
- Page 184 and 185:
150 TROPE, SEQUENCE, AND CONDUCTUS
- Page 186 and 187:
152 TROPE, SEQUENCE, AND CONDUCTUS
- Page 188 and 189:
154 TROPE, SEQUENCE, AND CONDUCTUS
- Page 190 and 191:
156 TROPE, SEQUENCE, AND CONDUCTUS
- Page 192 and 193:
158 TROPE, SEQUENCE, AND CONDUCTUS
- Page 194 and 195:
160 TROPE, SEQUENCE, AND CONDUCTUS
- Page 196 and 197:
162 TROPE, SEQUENCE, AND CONDUCTUS
- Page 198 and 199:
or nos di - nes sup-plan te tuser-
- Page 200 and 201:
166 TROPE, SEQUENCE, AND CONDUCTUS
- Page 202 and 203:
168 TROPE, SEQUENCE, AND CONDUCTUS
- Page 204 and 205:
170 TROPE, SEQUENCE, AND CONDUCTUS
- Page 206 and 207:
172 TROPE, SEQUENCE, AND CONDUCTUS
- Page 208 and 209:
174 TROPE, SEQUENCE, AND CONDUCTUS
- Page 210 and 211:
176 LITURGICAL DRAMA twenty-two exa
- Page 212 and 213:
178 LITURGICAL DRAMA From the two o
- Page 215 and 216:
vr**- THE EASTER SEPULCHRE DRAMA 17
- Page 217 and 218:
Ci- to e - un - -re-xit Do -mi - nu
- Page 219 and 220:
a note. The first part is lyrical T
- Page 221 and 222:
THE EASTER SEPULCHRE DRAMA 185 and
- Page 223 and 224:
Ex. 64 CO) UuT THE EASTER SEPULCHRE
- Page 225 and 226:
THE EASTER SEPULCHRE DRAMA 189 the
- Page 227 and 228:
Ex. 65 a) 6- e a V. PEREGRINUS PLAY
- Page 229 and 230:
PEREGR1NUS PLAYS 193 incredulity an
- Page 231 and 232:
PASSION PLAYS 195 in metrical form,
- Page 233 and 234:
CHRISTMAS PLAYS 197 manger, a tradi
- Page 235 and 236:
CHRISTMAS PLAYS 199 other extant Of
- Page 237 and 238:
CHRISTMAS PLAYS 201 Finally the Off
- Page 239 and 240:
CHRISTMAS PLAYS 203 main altar to t
- Page 241 and 242:
CHRISTMAS PLAYS 205 so long and unw
- Page 243 and 244:
SUNDRY RELIGIOUS PLAYS 207 Abelard,
- Page 245 and 246:
SUNDRY RELIGIOUS PLAYS 209 (Let us,
- Page 247 and 248:
SUNDRY RELIGIOUS PLAYS 211 these st
- Page 249 and 250:
Ex. 77 &0 ^ ^3F SUNDRY RELIGIOUS PL
- Page 251 and 252:
THE DANIEL PLAYS 215 or Darius, is
- Page 253 and 254:
THE DANIEL PLAYS 217 returns wholly
- Page 255 and 256:
Ex. 85 CO &- Et.8 5 (ii) THE DANIEL
- Page 258 and 259:
4|4rri "'" ift.'i. 1 Lfe'' ,'^iiiC,
- Page 260 and 261:
222 MEDIEVAL SONG express moral sen
- Page 262 and 263:
224 MEDIEVAL SONG narrative alterna
- Page 264 and 265:
226 MEDIEVAL SONG that the music is
- Page 266 and 267:
228 MEDIEVAL SONG and perfect notes
- Page 268 and 269:
230 MEDIEVAL SONG *J fliJ ^ son. Oi
- Page 270 and 271:
232 MEDIEVAL SONG (All my desire an
- Page 272 and 273:
234 MEDIEVAL SONG (la the year when
- Page 274 and 275:
236 MEDIEVAL SONG m i ^ Et la gen -
- Page 276 and 277:
238 Ex. roc 1 (PEDES) MEDIEVAL SONG
- Page 278 and 279:
(If by the power of mercy true love
- Page 280 and 281:
242 MEDIEVAL SONG E - y - a, 'E pir
- Page 282 and 283:
244 MEDIEVAL SONG (Clap your hands,
- Page 284 and 285:
246 MEDIEVAL SONG -a - mou-rat. Que
- Page 286 and 287:
248 MEDIEVAL SONG so good to hear a
- Page 288 and 289:
250 MEDIEVAL SONG that the Middle A
- Page 290 and 291:
252 MEDIEVAL SONG (The world's joy
- Page 292 and 293:
254 MEDIEVAL SONG dich be - hu - te
- Page 294 and 295:
256 MEDIEVAL SONG was ghe - stalt.
- Page 296 and 297:
258 MEDIEVAL SONG Ex. uo l Ey ichsa
- Page 298 and 299:
260 MEDIEVAL SONG structure by the
- Page 300 and 301:
262 EX. I2Q 1 J-. Ji J' J MEDIEVAL
- Page 302 and 303:
MEDIEVAL SONG Et du - rou as - si c
- Page 304 and 305:
266 MEDIEVAL SONG The tritone (F to
- Page 306 and 307:
268 MEDIEVAL SONG Ex.135 1 di - m -
- Page 308 and 309:
VIII THE BIRTH OF POLYPHONY By DOM
- Page 310 and 311:
272 THE BIRTH OF POLYPHONY prosody
- Page 312 and 313:
274 THE BIRTH OF POLYPHONY some of
- Page 314 and 315:
276 THE BIRTH OF POLYPHONY cymbals
- Page 316 and 317:
278 THE BIRTH OF POLYPHONY works ma
- Page 318 and 319:
280 THE BIRTH OF POLYPHONY occurred
- Page 320 and 321:
282 THE BIRTH OF POLYPHONY entire c
- Page 322 and 323:
284 THE BIRTH OF POLYPHONY 'i n i i
- Page 324 and 325:
286 THE BIRTH OF POLYPHONY instruct
- Page 326 and 327:
288 MUSIC IN THE TWELFTH CENTURY of
- Page 328 and 329:
290 MUSIC IN THE TWELFTH CENTURY gi
- Page 330 and 331:
292 MUSIC IN THE TWELFTH CENTURY Ne
- Page 332 and 333:
294 MUSIC IN THE TWELFTH CENTURY It
- Page 334 and 335:
296 MUSIC IN THE TWELFTH CENTURY TH
- Page 336 and 337:
298 MUSIC IN THE TWELFTH CENTURY th
- Page 338 and 339:
MUSIC IN THE TWELFTH CENTURY Rex im
- Page 340:
302 MUSIC IN THE TWELFTH CENTURY pa
- Page 343 and 344:
THREE-PART WRITING 303 Patrishumana
- Page 345 and 346:
THREE-PART WRITING 305 with six thi
- Page 347 and 348:
THREE-PART WRITING 307 One short ex
- Page 349 and 350:
*UT TUO PROPITIATUS pec - ca - tis
- Page 351 and 352:
X MUSIC IN FIXED RHYTHM By DOM ANSE
- Page 353 and 354:
PRELIMINARY REMARKS ON DATES AND DA
- Page 355 and 356:
THE GENERAL PICTURE 315 from which
- Page 357 and 358:
THE GENERAL PICTURE 317 key'. 1 Els
- Page 359 and 360:
THE RHYTHMIC MODES 319 are based fa
- Page 361 and 362:
THE RHYTHMIC MODES 321 The lower vo
- Page 363 and 364:
THE RHYTHMIC MODES 323 values were
- Page 365 and 366:
THE RHYTHMIC MODES 325 The falling
- Page 367 and 368:
THE CONDUCTUS 327 appears at the en
- Page 369 and 370:
THE CONDUCTUS 329 reality. The same
- Page 371 and 372:
Tort contd. THE CONDUCTUS 331
- Page 373 and 374:
THE CONDUCTUS 333 (Under the type o
- Page 375 and 376:
THE CONDUCTUS 335 Another tune, whe
- Page 377 and 378:
DANCE MUSIC THE CONDUCTUS There are
- Page 379 and 380:
DANCE MUSIC 339 Its position in the
- Page 381 and 382:
THE RELATIONSHIP OF THE INDIVIDUAL
- Page 383 and 384:
^ EARLY ENGLISH PART-SONGS s Je flo
- Page 385 and 386:
ORGANUM The appoggiatura formation
- Page 387 and 388:
ORGANUM 347 Perotin comes from Anon
- Page 389 and 390:
CLAUSULAE 349 also combinations of
- Page 391 and 392:
'ENGLISH DESCANT* 351 years no conf
- Page 393 and 394:
XI THE MOTET AND ALLIED FORMS By DO
- Page 395 and 396:
GENERAL CHARACTERISTICS 355 an inst
- Page 397 and 398:
THE ORIGINAL STRUCTURE OF THE MOTET
- Page 399 and 400:
TENOR THEMES 359 tions of the Grego
- Page 401 and 402:
'MANERE' the Gradual for the feast,
- Page 403 and 404:
'MANERE' 363 From the verse of the
- Page 405 and 406:
'MANERE' 365 The tenor melody is re
- Page 407 and 408:
-ri - a, ma-ter pi - a, stel - la m
- Page 409 and 410:
NOTATION 369 diamond shape for the
- Page 411 and 412: MUSICA FICTA 371 scientific, and in
- Page 413 and 414: MUSICA FICTA 373 Transcription and
- Page 415 and 416: INTERCHANGE AND IMITATION 375 - am.
- Page 417 and 418: INTERCHANGE AND IMITATION gnificat]
- Page 419 and 420: LATER ARS ANTIQUA 379 evolving the
- Page 421 and 422: MENSURAL NOTATION 381 tempus (later
- Page 423 and 424: MENSURAL NOTATION 383 four or more
- Page 425 and 426: TECHNICAL DEVELOPMENTS 385 ( x ) Te
- Page 427 and 428: TECHNICAL DEVELOPMENTS 387 while th
- Page 429 and 430: A doubt has been cast 1 HARMONY 389
- Page 431 and 432: 5-F In MS. ISORHYTHM 391 32 ^ m -bi
- Page 433 and 434: Ex. 216 Veritatem ISORHYTHM 393 s ^
- Page 435 and 436: ISORHYTHM 395 (Triplum: O Mary, vir
- Page 437 and 438: ENGLISH MOTETS FOR FOUR VOICES * D
- Page 439 and 440: HOCKET in va - cu- m is al-mis pre
- Page 441 and 442: DUPLE TIME 401 val of nearly fifty
- Page 443 and 444: 'SUMER IS ICUMEN IN' 403 it is also
- Page 445 and 446: BIBLIOGRAPHY GENERAL ADLER, GUIDO:
- Page 447 and 448: BIBLIOGRAPHY 407 KIRCHHOFF, K.: Die
- Page 449 and 450: BIBLIOGRAPHY PaUographie musicale,
- Page 451 and 452: BIBLIOGRAPHY 411 MOBERG, C. A, : Vb
- Page 453 and 454: (ii) Books and Articles BIBLIOGRAPH
- Page 455 and 456: SOWA, HEINRICH: TextvariationenzurM
- Page 457 and 458: BIBLIOGRAPHY 417 WOLF, JOHANNES: 'D
- Page 459 and 460: Aristotle, 325, 372. Aries, 73, 74.
- Page 461: Contakion, see Kontakion. Contrary
- Page 465 and 466: Leo the Great, Pope, 95, 119. Leo I
- Page 467 and 468: Rome, Vatican Libr., Archives of St
- Page 469 and 470: Pitch, 287, 293. Plainsong, 105. Ru
- Page 471 and 472: Reinach, T., 5 nl . Reinmar von Zwe
- Page 473 and 474: Timocles, 19. Tintern, 314. Tischle
- Page 475: PRINTED IN GREAT BRITAIN AT THE UNI