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258 MEDIEVAL SONG<br />

Ex. uo l<br />

Ey ichsachin dem tro - ne Ein jungfraw die was swan-ger, Sie<br />

Sie wol - te sin en - bun - den Suss gie die al - ler - bes - te; Zwolff<br />

trug ein wun- der - cro - ne In my - ner au - gen an - ger.<br />

stei - ne zu der stun - den Koss in der kro - nen ves - te.<br />

Nu merck-ent wie sie tru - ge Die ge - fS - ge Der na-<br />

Sie tet auchwaz sie sol - de, Ja die hoi - de Trug den<br />

L<br />

tu - ren zu ge nu - ge; Von dem sie was ge - bur - det, Den<br />

blu-men [sam] ein tol -de; Meit, ob* ir mu- - ter wur - det Dez<br />

sach sie vor ir sit - zen Mit wit - zen In si - ben luch<br />

lam - mes und der tu - ben, Den tru - ben Ir liess - ent uwer<br />

3^<br />

J Ji|<br />

-te - ren Und sach in docb. ge-sund-ert In ei - nes lam -mes<br />

swe - ren; Da - von mien nit en wund - ert Daz uch dy - sel - be<br />

wy - se Uff sy - on dem ber-ge ge<br />

spy - se Kan[wol| zu derfruchte ge<br />

hu - ren.<br />

stu - ren-.<br />

(I saw on the throne a virgin, who was with child. She wore a wonderful crown<br />

in the pasture of my eyes. She wished to be delivered, so was she the best of<br />

womankind; at the same time twelve jewels I saw set fast in the crown.<br />

Now note how fitly she bore, as nature demanded. She saw him who was her<br />

burden sitting before her, full of wisdom, under seven lights; and yet she saw him<br />

apart, like a lamb on the fair mount of Zion. She did even what she should, yea,<br />

the gracious one bore a flower like the crown of flowers. Maiden, though you<br />

became the mother of the lamb and the dove, you gave up your heaviness to the<br />

clusters of the vine; and so I do not wonder that the same food can help you to<br />

such frmtfulness.)<br />

Frauenlob (praise of ladies) was the name given to Heinrich von<br />

Meissen (d. 1318), who was the last of the early Minnesinger. The old<br />

1<br />

Munich, StaatsbibL germ. 4997, fo. 19; facsimile in P. Runge, Die Sangweisen der<br />

Colmarer Handschrift und die JJederhandschrift Donaueschingen (Leipzig, 1896).<br />

Recorded in The History ofMusic in Sound, ii, side 11.

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