nicole kotras masters thesis
nicole kotras masters thesis
nicole kotras masters thesis
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espondents, many mailed questionnaires are sent to select groups. Generally special<br />
groups are good respondents because they tend to be interested, they are familiar with the<br />
subject and so are able to answer fully and with minimal instructions.<br />
Taking the above mentioned advantages and disadvantages of open-ended as well<br />
as, mailed questionnaires into account, the author decided that the benefits of mailed<br />
open-ended questionnaires outweighed the disadvantages for the qualitative phase of the<br />
study.<br />
Research Procedure<br />
The procedure for the qualitative phase of the study followed a number of stages.<br />
While referring to the guidelines reported by Hambleton (1994), the procedure followed in<br />
this study, for adapting/revising the pictures to make them more contemporaneous and<br />
culturally neutral, was completed in a number of sub-stages:<br />
Stage 1<br />
The preparation of 20 small revised experimental pictures and 2 large pictures.<br />
One can differentiate between a subjective (mental "inner") picture, which is one that<br />
can form in the mind of an absent or even non-existent object; and an objective<br />
picture, which is one that is perceived by the senses. The latter (objective) picture is<br />
the concerned focus in this study. The word "picture" refers to "something which<br />
looks like something else. More specifically, a picture is defined as that which<br />
creates the appearance of something else" (Bower, 1977, p.2). It can therefore be<br />
said that a picture gives a visual representation of something else. We use the<br />
picture to provide for ourselves or for others, a visual representation of something<br />
which is itself not present. The extent to which a picture resembles the original<br />
depends also on subjective factors, such as the expectations of the viewer, the<br />
previous knowledge of the object in question, the viewer's cultural upbringing and<br />
socialization, as well as their emotional state (Ross & Lerman, 1970). To a child, a<br />
landscape drawing which ignores all the laws of perspective, may seem more<br />
realistic than an adult's drawing which adheres strictly to those rules. From this we<br />
can conclude also that the picture is really only an aid to the imagination. Bower<br />
(1977) proposed that young children see pictures as "surrogate objects" and not as<br />
representations of reality.<br />
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