Preface - Electronic Poetry Center
Preface - Electronic Poetry Center
Preface - Electronic Poetry Center
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
From: Paul Hoover<br />
Subject: politics<br />
Glad to see Ron’s post re: Exile on Main Street. There certainly is no "out" and<br />
you don’t have to be Marxist to see it. I had the pleasure to hear a lecture by<br />
Amiri Baraka yesterday: "So that since the U.S. is an imperialist country, with<br />
a monopoly capitalist economic base, the institutions raised on that base, as<br />
well as the philosophies expressed within them, are in the main expressions of<br />
imperialism." The only thing that matters is the economic base, and without the<br />
moderating influence of a competing morality such as the church or local<br />
community, our economic life is focused on selfishness. It is in the interest of<br />
consumerism, therefore, to destroy traditional values including religious and/or<br />
ethnic values ("peasant traditions" in WCW’s "For Elsie"). Relativism and<br />
indeterminacy (and alas the well-meaning avant-garde) apparently collaborate<br />
in this.<br />
Like Lew Daly (apparently), I was raised in a German pietist tradition that<br />
argued against material possession and chose separation from the world. This<br />
separation worked primarily on the symbolic level, since inevitably one must<br />
trade with "Das English" as the early Brethren & Amish called them. My<br />
interest in poetry derives from that background. Good works, if not<br />
transcendence, through writing. But the desire for fame and office brings<br />
dominance back in, and we become little imperialists. Baraka was wonderful to<br />
hear and full of satiric fire. But the talk was given in an institutional setting (my<br />
working-class arts college in Chicago) on a grant from the Lilly Foundation and<br />
his fee for the day was $5,000. We all work out of an economic base that<br />
extends to poetic value. Inevitably, one poet is perceived to be "worth more"<br />
than another. Susan Howe and Nathaniel Mackey rise; someone else falls. We<br />
are currency, and what else is new?<br />
It is possible to interpret multiculturalism as further ghettoization funded by the<br />
MacArthur and other foundations; it is masked, however, as "community<br />
building." Their goal is to bring enough marginal people into the high-tech<br />
middle class that revolution will not seem necessary. Meanwhile, as Andrei<br />
Codrescu wrote in a recent essay, the real revolution, the triumph of global<br />
capitalism, continues apace.<br />
The American peasant, Williams saw in horror, has no traditions. Except<br />
perhaps his/her "television heritage."