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Preface - Electronic Poetry Center

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it. Despite his amusing dismissal of what would later become an important<br />

element of his teaching and practice, in a sense he was right. Greatly<br />

misunderstood is the fact that for all the ubiquitous deployment of energydependent,<br />

"non-physical" (virtual?) mental furniture, the internet is really an<br />

extension of corporeality, much like media we’ve grown accustomed to in the<br />

last century. Soon it will be hard to remember what it was like before e-mail–<br />

even further, we are the last generation for whom that is even possible. And<br />

discussion groups are another matter entirely. It was at the prospective meeting<br />

of younger writers, the now-infamous conference, "Writing from the New<br />

Coast," held at the State University of New York at Buffalo in the Spring of<br />

1993, where I first heard of the world of electronic discussion groups, even<br />

though electronic communities such as The Well had existed for years. Joe<br />

Amato, one of the heralds of this strange new world, was passing out flyers<br />

announcing his "Nous Refuse" electronic community. There was something<br />

ministerial about his advocacy. What kind of community would this be? Would<br />

it be an extension of the conference, or more like a party-line, what would<br />

come to be known as a "chatroom"?<br />

For many of us the Poetics List was our first encounter with e-mail and we<br />

were quick to put it to good use as a form of social architecture. The Poetics<br />

List provided the means to continue gatherings and conferences, such as the<br />

New Coast, a way to extend the opportunity to be involved to those who could<br />

not travel to the urban centers or difficult to reach places where such events<br />

usually take place. It provided the opportunity to speed up exchanges that<br />

would otherwise take months through the mail, to meet and correspond with<br />

individuals and large groups, and to listen in on or contribute to public debates<br />

usually reserved for those on conference panels. I saw it as a sort of anarchic<br />

meeting hall, a way to facilitate a kind of continuously running newsletter, a<br />

communitarian study of the contemporary. If it was decentered it was also a<br />

dispersed centeredness. Even the metaphorical name for the early discussion<br />

groups–bulletin boards–demonstrated how we perceived the place of that<br />

technology: at the center of a public space accessed individually. And if a<br />

member of congress can stand up and address an empty chamber on a Friday<br />

night, simply for the benefit of the cameras, certainly we can see the logic<br />

behind a midnight meeting of poets, talking their trade. Like the democracy of<br />

the witness in a meeting house, the bulletin board metaphor is only a cipher for<br />

that early optimism about this medium, which I shared. The optimistic manner<br />

of the public debate in some of the earliest exchanges on the Poetics List, even<br />

early interventions and dogfights typical of discussion groups, reflected the<br />

general euphoria about the redefinition of community that was underway.<br />

Hopefully Poetics@ carries some of the spirit of that time.

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