Preface - Electronic Poetry Center

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From: Larry Price Subject: Pens fall and begin to harvest Steve Carll wrote: "When you forget something, when you erase it, aren’t forgetting and erasing modes of relating to that something?" Amid the assorted food labels, brochures, and badly written yet impeccably designed detritus that is my automaton’s scramble for survival, the icons of forgetting and erasure are perhaps understandably privileged. Still, I agree with your reluctance to reify. So that particular notion of forgetting was not what I found compelling in Peter Larkin’s statement, nor what I intended by using the term "erasure." That is, not a forgetting (or erasing) in the sense of a toolbox (click on icon and drag to trash), an amnesial or erasive intentionality directed always and in nostalgia backward (the past as the desire that makes desire be present), but rather in the sense of "Not this." That is, the perpetual vapor trail that language in fact sprays before it, the head in arrears, Duchamp’s nickel-plated child which the "person" completes on the horizonal blank page overwriting the master pages of autonomy. (At the very least, we know power won’t deny itself.) (Although I have to say I like the Lacanian intrigue in the past coming to presence as what is no longer presence. Which must be where all these careful discriminations between sense and nonsense go to become nonsense.) When I say "we are in relation to the present," this in itself is a heuristic device, a machine devised-toward-the remedial present. I suppose it is remedial because (I agree) it is never a clean break, shaped as it is within an assumed, at least culturally imposed restricted economy of being. That remedial ground is, of course, the text. It functions to process the communicable intransigence of what is into the uncommunicated, hence infinitely available outside of what isn’t. Power is one issue. As one, it falls to us in its compensatory claim of mastery (or clarity) It seems to me it is this mastery/clarity that is at issue (among other places, in Mark Wallace’s usefully raised issues). That is, mastery, when it arrives as the default version ("perfection is basic to this mode"), takes as its register a simultaneity of face and facework, reader and writer. It fulfills itself
in this way as part of a guarantee that having fulfilled itself once and as a one it won’t have to do so again and certainly not in its parts. The language of power is structured from the neant on down. But here Peter Larkin’s notion of the "weak" intrigues me. It leads me to a question for Mark Wallace: to what extent is the category of post-languageavant-garde-emerging-publishing in the 90s-younger generation a strategizing of attachment and dis-attachment (in the sense – I think – PL is writing of it)?
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Preface Above the world-weary horiz
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of 750 subscribers. Because of the
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Introduction In a world where every
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But the "good old days" have passed
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Coeval with . . . to Ghosts vs. Mar
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From: Kevin Killian Subject: Carla
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If there’s one thing Harry learne
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The conservatism in this country co
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arts the mainstream is-and over the
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University of Auckland, is convenor
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less literate is implied by that "m
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What I am bothered about in these r
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From: Dodie Bellamy Subject: Breaki
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characterization of some the struct
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This is not so much ingratiation of
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My reconstruction of the argument i
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into the poetic. And I am wondering
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From: Patrick Phillips Subject: The
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ideology which contorts the referen
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disparaging Reznikoff-while preserv
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intervention). Though I can anticip
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eturns, repetitions, etc., is perme
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From: Benjamin Friedlander Subject:
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shrewd, often polemical presence of
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eadings, recognition. Being inside,
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If I resist the idea of a literary
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From: Susan Schultz Subject: Commun
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From: Patrick Phillips Subject: The
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From: Steve Evans Subject: the soci
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The tradition of the oppressed teac
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My wobble is social, not theoretica
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From: Dodie Bellamy Subject: Spicer
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From: Dodie Bellamy Subject: Re: Gh
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Hermit Crabs Don’t Cry to Politic
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From: Robert Creeley Subject: Chick
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From: Jed Rasula Subject: Re: Olson
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BED… (P.S. Just in Baltimore and
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From: Ron Silliman Subject: Motivat
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From: Steve Evans Subject: Motives
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past year or so, despite the fact t
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It seems clear to me that some of t
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To clarify one general point in clo
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the most "out there" manifesto we
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Actually, the question of age is a
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indulges in "increasingly modest fo
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From: Tony Green Subject: calling G
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From: Ron Silliman Subject: Flaming
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parataxis, collage, sonnets, whatev
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From: Larry Price Subject: Anachron
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From: Ron Silliman Subject: Exile o
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From: Paul Hoover Subject: politics
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From: Aldon L. Nielsen Subject: lat
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Every site glides away toward absen
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Certain aspects of desire were regi
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whatever chaotic way) offer the abi
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From: Susan Schultz Subject: notes
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mouth, thick with money and piety a
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From: Steve Evans Subject: Shake Th
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From: Susan Schultz Subject: haoles
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From: Ron Silliman Subject: Univers
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From: Steve Evans Subject: Universa
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From: James Sherry Subject: Re: Uni
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From: Wystan Curnow Subject: Re-Aca
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From: John Cayley Subject: Experime
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From: Marisa A Januzzi Subject: dis
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Two senses of disorder, as also man
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At its best, Language poetry never
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hymed couplets I’ll be a langpo w
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From: Leslie Scalapino Subject: Re:
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From: Tom Mandel Subject: Re: apex
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From: Marjorie Perloff Subject: Re:
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language fails to describe their ex
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From: Eric Pape Subject: Re: apex o
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All every night walk by the venue i
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From: Ira Lightman Subject: CALL FO
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From: Bob Perelman Subject: Governm
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independence and possible sense of
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imagination, and often introduces t
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From: Ron Silliman Subject: Boy Tal
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From: B. Cass Clarke Subject: Quan
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Look at it this way-email is one of
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From: Nada Gordon Subject: where th
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From: Cynthia Kimball Subject: Ghos
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From: Loss Glazier Subject: Re: boy
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I do not want to be a woman all the
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i yam what i yam a world-changing f
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SAME TIME TO EXPLORE THEORIES OF SE
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From: Kali Tal Subject: Re: Boy Tal
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From: Ann Louise Vickery Subject: D
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From: Colleen Lookingbill Subject:
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7) Denial is an important part of t
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equirement of having to "pay dues,"
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From: Keith Tuma Subject: Re: Close
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From: Maria Damon Subject: more on
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From: David McAleavey Subject: Re:
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From: Kenneth Sherwood Subject: Int
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From: Hank Lazer Subject: close rea
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d’appui). It is easier for studen
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7a. Most probably that the monolith
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From: Eliot Katz Subject: more on c
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emancipatory elements which a reade
Page 203 and 204: From: Maria Damon Subject: Re: what
Page 205 and 206: in the culture through coercion of
Page 207 and 208: From: Kali Tal Subject: Re: what do
Page 209 and 210: their experience in a potent form-t
Page 211 and 212: From: Tom Mandel Subject: Re: Conse
Page 213 and 214: From: Colleen Lookingbill Subject:
Page 215 and 216: But her [Stein’s] account of firs
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Page 219 and 220: From: Alfred Corn (forwarded by Sus
Page 221 and 222: From: Ron Silliman Subject: Value i
Page 223 and 224: From: Alan Golding Subject: Howe No
Page 225 and 226: so-called so-called Language writer
Page 227 and 228: From: Keith Tuma Subject: Ghost Cor
Page 229 and 230: ones that distinguish LP from "main
Page 231 and 232: the "mainstream" poetry that has th
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Page 237 and 238: seems to be a general consensus on
Page 239 and 240: From: Alfred Corn Subject: More For
Page 241 and 242: From: Marjorie Perloff Subject: Jor
Page 243 and 244: From: Ron Silliman Subject: Childre
Page 245 and 246: From: Kevin Killian Subject: A happ
Page 247 and 248: From: Mark Wallace Subject: bland a
Page 249 and 250: From: Mark McMorris Subject: Re: bl
Page 251 and 252: what one could call a systematic sy
Page 253: While I agree with Jeff Hansen’s
Page 257 and 258: The generational change has probabl
Page 259 and 260: of "elective affinity" by selective
Page 261 and 262: From: Jeff Hansen Subject: wild blu
Page 263 and 264: Hansen’s argument echoes (conscio
Page 265 and 266: not be so elegantly presented as it
Page 267 and 268: From: Jerry Rothenberg Subject: on
Page 269 and 270: I cannot make it cohere. I can read
Page 271 and 272: Before reading Pound, I had only re
Page 273 and 274: So why am I still conflicted about
Page 275 and 276: typos!) once a poem was in print. S
Page 277 and 278: Reproductions of Banality: Fascism,
Page 279 and 280: influence. This new Pound criticism
Page 281 and 282: Yet Pound’s poetry is never simpl
Page 283 and 284: From: Dick Higgins Subject: Web Poe
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