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Preface - Electronic Poetry Center

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From: Ron Silliman<br />

Subject: G2<br />

Steve Evans always has interesting and valuable points to make. I want to<br />

unpack a couple here.<br />

> Apropos Claim 2: The ominous scenario in which the social is some-<br />

> how "drained" away only makes sense if such devices as one finds in<br />

> ITAT represent the exclusive means of criticizing existing social<br />

> relations and evoking potentials for social transformation.<br />

I didn’t (don’t) make any claim of exclusivity of devices for In the American<br />

Tree and the concept makes no sense to me. I could point to hundreds of<br />

alternative examples from my own generation alone that are equally social but<br />

well outside the positioned critique that separates out most of the Tree’s poets<br />

from the broader (less differentiated) terrain.<br />

> Ron establishes a double bind for G2: continue to employ G1’s devices<br />

> (in which case you’ll be labeled derivative and your motivation will be<br />

> characterized as improper) or invent/adopt other devices (in which case<br />

> you’ll be accused of permitting the "social" to "drain" away).<br />

What other devices?<br />

It is precisely the continuation of the same set of devices in increasingly modest<br />

forms that characterizes the broader poetics of G2, as Steve calls it in a<br />

curiously clinical abbreviation. It is that modesty, as such, that I was getting at<br />

as a "draining of the social"– and I accept the possibility that it may actually<br />

represent a much more complex ensemble of social phenomena, that may well<br />

include grave doubt over the possibilities of collective action (say), all of which<br />

would be well worth elaborating on at length<br />

And I should note from the outset the obvious, that the choice of such forms<br />

need not limit any individual poet from achieving as much as anybody ever has.

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