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Preface - Electronic Poetry Center

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From: Tenney Nathanson<br />

Subject: Close Reading<br />

talkin’ bout my generation, I guess, but: re: close reading, and who unlearns,<br />

supposedly, what they learned as undergraduates, and so on. (I don’t mean to<br />

rant but): after teaching poetry/theory grad courses the last few years, I finally<br />

decided to cash in on a gathering hunch and teach, at the grad level, the kind of<br />

course I sometimes offer at u.g. level and that used to be offered all the time:<br />

"close reading" that is. I’m having a great time (some students are, some<br />

probably aren’t) but so far the results are pretty staggering. We’re doing the<br />

course as a workshop, in which a poem and its explication, xeroxed in advance,<br />

are discussed concurrently. And (to me) it’s just staggering what the generally<br />

bright and able students don’t have a clue about and don’t (yet) by and large<br />

have much knack at all for doing. Just on the very basic level of poem as<br />

speech act or Burkean symbolic action; or when it comes to thinking about<br />

trope as somehow functional in a reasonably sophisticated way: it’s a great big<br />

blank by and large (w/a couple of stunningly smart exceptions). I dunno<br />

whether it was always that way (that is, contra Richards, whether no matter<br />

how many classes everyone takes basically 10% of the people have an ear and<br />

the other 90% can’t buy one) or not, but I suspect that not so much<br />

deconstruction & all as cultural studies is partly responsible. I don’t mean it as<br />

a discipline (or non discipline) so much as how it gets filtered into the<br />

brainpans of the undergraduates who end up applying, at least, to Arizona,<br />

where the students are quite good but it’s obviously not Berkeley, say. Even at<br />

the next level up–reading the essays on poetry that come in to Arizona<br />

Quarterly, say, it’s really just themes themes themes.<br />

So this doesn’t continue to sound like only a dispeptic rant, I guess I’d want to<br />

say that the course is a whole lot of fun (for me anyway), that I intend to offer it<br />

every couple of years, and that I think the old close-reading staple has pretty<br />

much disappeared from the u.g. curriculum and needs re-instating. But it really<br />

is astonishing to me, still, the extent to which grad students in the course write<br />

essays/explications tht have virtually nothing to do w wht I understand reading<br />

poetry to involve. must be time to power down here.

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